Monday 26 August 2013

George Herbert Biography

Photo: George Herbert Biography

George Herbert was an English poet, orator and Anglican priest with a Welsh origin. He had descended from a wealthy family and thus, was educated well. Herbert was an excellent student of language and music in his college days. Initially, he dreamt of becoming a prominent priest but his scholarship brought him into the notice of King James I/VI. During 1630s, Herbert surrendered his secular aspirations to take holy orders in the Church of England. Thereafter, he spent all his life serving as a rector of the little parish of Fugglestone St Peter with Bemerton St Andrew, near Salisbury. Herbert is also greatly known for his flawless care for his parishioners. He worked on religious poetry which was distinguished by a precision of language, a rhythmical versatility, and brilliant use of imagery. Some of the most popular poems of Herbert are "King of Glory, King of Peace" (Praise), "Let All the World in Every Corner Sing" (Antiphon) and "Teach me, my God and King" (The Elixir).

George Herbert Childhood and Early Life

Herbert was born on 3rd April, 1593 in Montgomery in Wales. He belonged to a wealthy, prominent and intellectual family. Also, his family was greatly devoted to arts. His mother, Magdalen, was a patron and friend of several poets including John Donne. His father, Richard Herbert, Lord of Cherbury passed away when George was just three years old. Herbert had 9 siblings, including Edward who later became Lord Herbert of Cherbury and a crucial poet and philosopher. Edward was also frequently called “the father of English deism”. Herbert enrolled inWestminster School when he was around 12 and became a day student. Sometime later he rose up to the level of scholar and later in 1609, got admission in Trinity College, Cambridge on the basis of scholarship. Herbert gained his bachelor’s degree and later master’s degree from the same college in 1613. After receiving degrees with distinction from Westminster School and Trinity College, Cambridge, he was elected as a major fellow in his college. Herbert, in 1618, got appointment as a reader in Rhetoric at Cambridge. In 1620, he was chosen for the post of orator at Cambridge University. Herbert worked as an orator till 1628. Herbert, in 1624, became aMember of Parliament and represented Montgomeryshire. Although everything was favoring him to build a career at court with respectful positions and kindness of James I towards him but the deaths of King in 1625 and his two most influential patrons reversed the situation against him. However, it is believed that the servings of Herbert to the parliament may have ended in 1624 as no records are found in 1625 Commons Journal by his name.  

  Priesthood
In 1630, Herbert acquired his duties in Bemerton, a rural parish in Wiltshire which is about 75 miles southwest of London. In Bemerton, Herbert preached and worked on poems. He also helped in the reconstruction of the church with his own funds. In 1633, he completed a collection of his poems titled,”

The Temple”. 
This work presented an impression of the architectural style of churches with the help of meaning of the words and their visible structure. Herbert treated the themes of God and Love as both psychological forces and metaphysical phenomena. He only survived three years after taking holy duties. Also it is said that lying on his deathbed, he handed over the manuscript of “The Temple” to Nicholas Ferrar, who was the founder of a semi-monastic Anglican religious community at Little Gidding, asking him to publish the same if he thinks that it might “turn to the advantage of any dejected poor soul” and otherwise burn them.

 Works
One of the most looked up works of Herbert is “Easter Wings”, which was a pattern-based poem. In the work, the words are not only supposed to be read but also the structure is to look out for. To accomplish the same, the poem was published on two pages of the book, sideways, in a way that reflected as if two birds were flying upwards. In 1633, the collection of his poems was published in “The Temple”. It contained lots of holy poems and personal ejaculations which were edited by Nicholas Ferrar. The work witnessed eight editions by the year 1690. In 1652, Barnabas Oley also edited Herbert’s Remains or sundry pieces of that Sweet Singer, Mr. George Herbert, including A Priest to the Temple, or the countrey parson, Jacula Prudentum, &c. In 1671, second edition came up as A Priest to the Temple or the Country Parson. All the surviving English writing of Herbert are religious and some of them are also used as hymns too. His religious poetry included “The Altar.” Herbert’s “Jacula Prudentium”, an accumulation of pithy proverbs and was published in 1651. Apart from English, he also wrote poems in Greek and Latin. His work has been attracting many composers to set his poetry into music. 

Death
Herbert was going through a bad health and eventually died onMarch 1, 1633 of tuberculosis. 

Commemorations
Herbert is commemorated by the Anglican Communion on 27th February every year and by the Calendar of Saints of the Evangelical Lutheran Church in America on March 1. He also has a window to pay him homage in Westminster Abbey and a statue in niche 188 on the West Front of Salisbury Cathedral.
George Herbert was an English poet, orator and Anglican priest with a Welsh origin. He had descended from a wealthy family and thus, was educated well. Herbert was an excellent student of language and music in his college days. Initially, he dreamt of becoming a prominent priest but his scholarship brought him into the notice of King James I/VI. During 1630s, Herbert surrendered his secular aspirations to take holy orders in the Church of England. Thereafter, he spent all his life serving as a rector of the little parish of Fugglestone St Peter with Bemerton St Andrew, near Salisbury. Herbert is also greatly known for his flawless care for his parishioners. He worked on religious poetry which was distinguished by a precision of language, a rhythmical versatility, and brilliant use of imagery. Some of the most popular poems of Herbert are "King of Glory, King of Peace" (Praise), "Let All the World in Every Corner Sing" (Antiphon) and "Teach me, my God and King" (The Elixir).

George Herbert Childhood and Early Life

Herbert was born on 3rd April, 1593 in Montgomery in Wales. He belonged to a wealthy, prominent and intellectual family. Also, his family was greatly devoted to arts. His mother, Magdalen, was a patron and friend of several poets including John Donne. His father, Richard Herbert, Lord of Cherbury passed away when George was just three years old. Herbert had 9 siblings, including Edward who later became Lord Herbert of Cherbury and a crucial poet and philosopher. Edward was also frequently called “the father of English deism”. Herbert enrolled inWestminster School when he was around 12 and became a day student. Sometime later he rose up to the level of scholar and later in 1609, got admission in Trinity College, Cambridge on the basis of scholarship. Herbert gained his bachelor’s degree and later master’s degree from the same college in 1613. After receiving degrees with distinction from Westminster School and Trinity College, Cambridge, he was elected as a major fellow in his college. Herbert, in 1618, got appointment as a reader in Rhetoric at Cambridge. In 1620, he was chosen for the post of orator at Cambridge University. Herbert worked as an orator till 1628. Herbert, in 1624, became aMember of Parliament and represented Montgomeryshire. Although everything was favoring him to build a career at court with respectful positions and kindness of James I towards him but the deaths of King in 1625 and his two most influential patrons reversed the situation against him. However, it is believed that the servings of Herbert to the parliament may have ended in 1624 as no records are found in 1625 Commons Journal by his name.

Priesthood
In 1630, Herbert acquired his duties in Bemerton, a rural parish in Wiltshire which is about 75 miles southwest of London. In Bemerton, Herbert preached and worked on poems. He also helped in the reconstruction of the church with his own funds. In 1633, he completed a collection of his poems titled,”

The Temple”.
This work presented an impression of the architectural style of churches with the help of meaning of the words and their visible structure. Herbert treated the themes of God and Love as both psychological forces and metaphysical phenomena. He only survived three years after taking holy duties. Also it is said that lying on his deathbed, he handed over the manuscript of “The Temple” to Nicholas Ferrar, who was the founder of a semi-monastic Anglican religious community at Little Gidding, asking him to publish the same if he thinks that it might “turn to the advantage of any dejected poor soul” and otherwise burn them.

Works
One of the most looked up works of Herbert is “Easter Wings”, which was a pattern-based poem. In the work, the words are not only supposed to be read but also the structure is to look out for. To accomplish the same, the poem was published on two pages of the book, sideways, in a way that reflected as if two birds were flying upwards. In 1633, the collection of his poems was published in “The Temple”. It contained lots of holy poems and personal ejaculations which were edited by Nicholas Ferrar. The work witnessed eight editions by the year 1690. In 1652, Barnabas Oley also edited Herbert’s Remains or sundry pieces of that Sweet Singer, Mr. George Herbert, including A Priest to the Temple, or the countrey parson, Jacula Prudentum, &c. In 1671, second edition came up as A Priest to the Temple or the Country Parson. All the surviving English writing of Herbert are religious and some of them are also used as hymns too. His religious poetry included “The Altar.” Herbert’s “Jacula Prudentium”, an accumulation of pithy proverbs and was published in 1651. Apart from English, he also wrote poems in Greek and Latin. His work has been attracting many composers to set his poetry into music.

Death
Herbert was going through a bad health and eventually died onMarch 1, 1633 of tuberculosis.

Commemorations
Herbert is commemorated by the Anglican Communion on 27th February every year and by the Calendar of Saints of the Evangelical Lutheran Church in America on March 1. He also has a window to pay him homage in Westminster Abbey and a statue in niche 188 on the West Front of Salisbury Cathedral.

Earl Mar's Daughter by Joseph Jacobs

Photo: Earl Mar's Daughter by Joseph Jacobs

ONE fine summer's day Earl Mar's daughter went into the castle garden, dancing and tripping along. And as she played and sported she would stop from time to time to listen to the music of the birds. After a while as she sat under the shade of a green oak tree she looked up and spied a sprightly dove sitting high up on one of its branches. She looked up and said: "Coo-my-dove, my dear, come down to me and I will give you a golden cage. I'll take you home and pet you well, as well as any bird of them all." Scarcely had she said these words when the dove flew down from the branch and settled on her shoulder, nestling up against her neck while she smoothed its feathers. Then she took it home to her own room.The day was done and the night came on and Earl Mar's daughter was thinking of going to sleep when, turning round, she found at her side a handsome young man. She _was_ startled, for the door had been locked for hours. But she was a brave girl and said: "What are you doing here, young man, to come and startle me so? The door was barred these hours ago; how ever did you come here?""Hush! hush!" the young man whispered. "I was that cooing dove that you coaxed from off the tree.""But who are you then?" she said quite low; "and how came you to be changed into that dear little bird?""My name is Florentine, and my mother is a queen, and something more than a queen, for she knows magic and spells, and because I would not do as she wished she turned me into a dove by day, but at night her spells lose their power and I become a man again. To-day I crossed the sea and saw you for the first time and I was glad to be a bird that I could come near you. Unless you love me, I shall never be happy more.""But if I love you," says she, "will you not fly away and leave me one of these fine days?""Never, never," said the prince; "be my wife and I'll be yours for ever. By day a bird, by night a prince, I will always be by your side as a husband, dear."So they were married in secret and lived happily in the castle and no one knew that every night Coo-my-dove became Prince Florentine. And every year a little son came to them as bonny as bonny could be. But as each son was born Prince Florentine carried the little thing away on his back over the sea to where the queen his mother lived and left the little one with her.Seven years passed thus and then a great trouble came to them. For the Earl Mar wished to marry his daughter to a noble of high degree who came wooing her. Her father pressed her sore but she said: "Father dear, I do not wish to marry; I can be quite happy with Coo-my-dove here."Then her father got into a mighty rage and swore a great big oath, and said: "To-morrow, so sure as I live and eat, I'll twist that birdie's neck," and out he stamped from her room."Oh, oh!" said Coo-my-dove; "it's time that I was away," and so he jumped upon the window-sill and in a moment was flying away. And he flew and he flew till he was over the deep, deep sea, and yet on he flew till he came to his mother's castle. Now the queen his mother was taking her walk abroad when she saw the pretty dove flying overhead and alighting on the castle walls."Here, dancers come and dance your jigs," she called, "and pipers, pipe you well, for here's my own Florentine, come back to me to stay for he's brought no bonny boy with him this time.""No, mother," said Florentine, "no dancers for me and no minstrels, for my dear wife, the mother of my seven, boys, is to be wed to- morrow, and sad's the day for me.""What can I do, my son?" said the queen, "tell me, and it shall be done if my magic has power to do it.""Well then, mother dear, turn the twenty-four dancers and pipers into twenty-four grey herons, and let my seven sons become seven white swans, and let me be a goshawk and their leader.""Alas! alas! my son," she said, "that may not be; my magic reaches not so far. But perhaps my teacher, the spaewife of Ostree, may know better." And away she hurries to the cave of Ostree, and after a while comes out as white as white can be and muttering over some burning herbs she brought out of the cave. Suddenly Coo-my-dove changed into a goshawk and around him flew twenty-four grey herons and above them flew seven cygnets.Without a word or a good-bye off they flew over the deep blue sea which was tossing and moaning. They flew and they flew till they swooped down on Earl Mar's castle just as the wedding party were setting out for the church. First came the men-at-arms and then the bridegroom's friends, and then Earl Mar's men, and then the bridegroom, and lastly, pale and beautiful, Earl Mar's daughter herself. They moved down slowly to stately music till they came past the trees on which the birds were settling. A word from Prince Florentine, the goshawk, and they all rose into the air, herons beneath, cygnets above, and goshawk circling above all. The weddineers wondered at the sight when, swoop! the herons were down among them scattering the men-at-arms. The swanlets took charge of the bride while the goshawk dashed down and tied the bridegroom to a tree. Then the herons gathered themselves together into one feather bed and the cygnets placed their mother upon them, and suddenly they all rose in the air bearing the bride away with them in safety towards Prince Florentine's home. Surely a wedding party was never so disturbed in this world. What could the weddineers do? They saw their pretty bride carried away and away till she and the herons and the swans and the goshawk disappeared, and that very day Prince Florentine brought Earl Mar's daughter to the castle of the queen his mother, who took the spell off him and they lived happy ever afterwards.
ONE fine summer's day Earl Mar's daughter went into the castle garden, dancing and tripping along. And as she played and sported she would stop from time to time to listen to the music of the birds. After a while as she sat under the shade of a green oak tree she looked up and spied a sprightly dove sitting high up on one of its branches. She looked up and said: "Coo-my-dove, my dear, come down to me and I will give you a golden cage. I'll take you home and pet you well, as well as any bird of them all." Scarcely had she said these words when the dove flew down from the branch and settled on her shoulder, nestling up against her neck while she smoothed its feathers. Then she took it home to her own room.The day was done and the night came on and Earl Mar's daughter was thinking of going to sleep when, turning round, she found at her side a handsome young man. She _was_ startled, for the door had been locked for hours. But she was a brave girl and said: "What are you doing here, young man, to come and startle me so? The door was barred these hours ago; how ever did you come here?""Hush! hush!" the young man whispered. "I was that cooing dove that you coaxed from off the tree.""But who are you then?" she said quite low; "and how came you to be changed into that dear little bird?""

The myth of Theseus and the Minotaur


Photo: The myth of Theseus and the Minotaur.

Theseus, a genuine Greek hero of the Mythology and Minotaur, one of the most devastating and terrifying monsters are the main protagonists of a myth that involves gods and monsters, heroes and kings and two of the main city–states in the Hellenic world: Athens and Crete.

The Minotaur and the Labyrinth of Crete

The Minotaur was the son of Pasiphae, wife of King Minos of Crete.Minotaur, 

Queen Pasiphae slept with a bull sent by Zeus, and gave birth to Minotaur, a creature half man - half bull. King Minos was embarrassed, but did not want to kill the Minotaur, so he hid the monster in the kLabyrinth constructed by Daedalus at the Minoan Palace of Knossos.According to the myth, Minos was imprisoning his enemies in the Labyrinth so that the Minotaur could eat them. The labyrinth was such a complicated construction that no one could ever find the way out alive.Son of Minos, Androgeus, went to Athens to participate to the Panathenaic Games, but he was killed during the Marathon by the bull that impregnated his mother Pasiphae. Minos was infuriated, and demanded Aegeus the king of Athens to send seven men and women every year to the Minotaur to advert the plague caused by the death of Androgeus.The third year, Theseus, son of Aegeus decided to be one of the seven young men that would go to Crete, in order to kill the Minotaur and end the human sacrifices to the monster. King Aegeus tried to make him change his mind but Theseus was determined to slay the Minotaur.Theseus promised his father that he would put up white sails coming back from Crete, allowing him to know in advance that he was coming back alive. The boat would return with the black sails if Theseus was killed.

Theseus and the Minotaur

Theseus kills the MinotaurTheseus announced to King Minos that he was going to kill the Monster, but Minos knew that even if he did manage to kill the Minotaur, Theseus would never be able to exit the Labyrinth.Theseus met Princess Ariadne, daughter of King Minos, who fell madly in love with him and decided to help Theseus. She gave him a thread and told him to unravel it as he would penetrate deeper and deeper into the Labyrinth, so that he knows the way out when he kills the monster.Theseus followed her suggestion and entered the labyrinth with the thread. Theseus managed to kill the Minotaur and save the Athenians, and with Ariadne's thread he managed to retrace his way out.Theseus took Princess Ariadne with him and left Crete sailing happily back to Athens.

Aegeus and the Sails

Theseus’ boat stopped at Naxos and the Athenians had a long celebration dedicated to Theseus and Ariadne. After long hours of feasting and drinking, Ariadne fell asleep on the shore and didn’t enter the boat that sailed to Athens. Theseus figured out that Ariadne was not with them when it was too late and he was so upset that he forgot the promise made to his father and did not change the sails.

NOTE. A different version of the myth mentions that Theseus deliberately left Ariadne on Naxos.King Aegeus was waiting at Cape Sounion to see the sails of the boat. He saw the black sails from afar and presumed his son was dead. 
He dropped himself to the waters, committing suicide and since then, this sea is called the Aegean Sea.The myth of Theseus and the Minotaur has inspired numerous artists throughout the centuries, who have created paintings and sculptures dedicated to the myth and the hero of Athens.
Theseus, a genuine Greek hero of the Mythology and Minotaur, one of the most devastating and terrifying monsters are the main protagonists of a myth that involves gods and monsters, heroes and kings and two of the main city–states in the Hellenic world: Athens and Crete.

The Minotaur and the Labyrinth of Crete

The Minotaur was the son of Pasiphae, wife of King Minos of Crete.Minotaur,

Queen Pasiphae slept with a bull sent by Zeus, and gave birth to Minotaur, a creature half man - half bull. King Minos was embarrassed, but did not want to kill the Minotaur, so he hid the monster in the kLabyrinth constructed by Daedalus at the Minoan Palace of Knossos.According to the myth, Minos was imprisoning his enemies in the Labyrinth so that the Minotaur could eat them. The labyrinth was such a complicated construction that no one could ever find the way out alive.Son of Minos, Androgeus, went to Athens to participate to the Panathenaic Games, but he was killed during the Marathon by the bull that impregnated his mother Pasiphae. Minos was infuriated, and demanded Aegeus the king of Athens to send seven men and women every year to the Minotaur to advert the plague caused by the death of Androgeus.The third year, Theseus, son of Aegeus decided to be one of the seven young men that would go to Crete, in order to kill the Minotaur and end the human sacrifices to the monster. King Aegeus tried to make him change his mind but Theseus was determined to slay the Minotaur.Theseus promised his father that he would put up white sails coming back from Crete, allowing him to know in advance that he was coming back alive. The boat would return with the black sails if Theseus was killed.

The Laidly Worm of Spindleston Heugh by Joseph Jacobs


IN BAMBOROUGH CASTLE once lived a king who had a fair wife and two children, a son named Childe Wynd and a daughter named Margaret. Childe Wynd went forth to seek his fortune, and soon after he had gone the queen his mother died. The king mourned her long and faithfully, but one day while he was hunting he came across a lady of great beauty, and became so much in love with her that he determined to marry her. So he sent word home that he was going to bring a new queen to Bamborough Castle.Princess Margaret was not very glad to hear of her mother's place being taken, but she did not repine but did her father's bidding. And at the appointed day came down to the castle gate with the keys all ready to hand over to her stepmother. Soon the procession drew near, and the new queen came towards Princess Margaret who bowed low and handed her the keys of the castle. She stood there with blushing cheeks and eye on ground, and said: "O welcome, father dear, to your halls and bowers, and welcome to you my new mother, for all that's here is yours," and again she offered the keys.
 One of the king's knights who had escorted the new queen, cried out in admiration: "Surely this northern Princess is the loveliest of her kind." At that the new queen flushed up and cried out: "At least your courtesy might have excepted me," and then she muttered below her breath: "I'll soon put an end to her beauty."That same night the queen, who was a noted witch, stole down to a lonely dungeon wherein she did her magic and with spells three times three, and with passes nine times nine she cast Princess Margaret under her spell. And this was her spell:I weird ye to be a Laidly Worm,And borrowed shall ye never be,Until Childe Wynd, the King's own sonCome to the Heugh and thrice kiss thee;Until the world comes to an end,Borrowed shall ye never be.So Lady Margaret went to bed a beauteous maiden, and rose up a Laidly Worm. And when her maidens came in to dress her in the morning they found coiled up on the bed a dreadful dragon, which uncoiled itself and came towards them. But they ran away shrieking, and the Laidly Worm crawled and crept, and crept and crawled till it reached the Heugh or rock of the Spindlestone, round which it coiled itself, and lay there basking with its terrible snout in the air.Soon the country round about had reason to know of the Laidly Worm of Spindleston Heugh. For hunger drove the monster out from its cave and it used to devour everything it could come across. So at last they went to a mighty warlock and asked him what they should do. Then he consulted his works and his familiar, and told them: "The Laidly Worm is really the Princess Margaret and it is hunger that drives her forth to do such deeds.
Photo: The Laidly Worm of Spindleston Heugh by Joseph Jacobs

IN BAMBOROUGH CASTLE once lived a king who had a fair wife and two children, a son named Childe Wynd and a daughter named Margaret. Childe Wynd went forth to seek his fortune, and soon after he had gone the queen his mother died. The king mourned her long and faithfully, but one day while he was hunting he came across a lady of great beauty, and became so much in love with her that he determined to marry her. So he sent word home that he was going to bring a new queen to Bamborough Castle.Princess Margaret was not very glad to hear of her mother's place being taken, but she did not repine but did her father's bidding. And at the appointed day came down to the castle gate with the keys all ready to hand over to her stepmother. Soon the procession drew near, and the new queen came towards Princess Margaret who bowed low and handed her the keys of the castle. She stood there with blushing cheeks and eye on ground, and said: "O welcome, father dear, to your halls and bowers, and welcome to you my new mother, for all that's here is yours," and again she offered the keys. One of the king's knights who had escorted the new queen, cried out in admiration: "Surely this northern Princess is the loveliest of her kind." At that the new queen flushed up and cried out: "At least your courtesy might have excepted me," and then she muttered below her breath: "I'll soon put an end to her beauty."That same night the queen, who was a noted witch, stole down to a lonely dungeon wherein she did her magic and with spells three times three, and with passes nine times nine she cast Princess Margaret under her spell. And this was her spell:I weird ye to be a Laidly Worm,And borrowed shall ye never be,Until Childe Wynd, the King's own sonCome to the Heugh and thrice kiss thee;Until the world comes to an end,Borrowed shall ye never be.So Lady Margaret went to bed a beauteous maiden, and rose up a Laidly Worm. And when her maidens came in to dress her in the morning they found coiled up on the bed a dreadful dragon, which uncoiled itself and came towards them. But they ran away shrieking, and the Laidly Worm crawled and crept, and crept and crawled till it reached the Heugh or rock of the Spindlestone, round which it coiled itself, and lay there basking with its terrible snout in the air.Soon the country round about had reason to know of the Laidly Worm of Spindleston Heugh. For hunger drove the monster out from its cave and it used to devour everything it could come across. So at last they went to a mighty warlock and asked him what they should do. Then he consulted his works and his familiar, and told them: "The Laidly Worm is really the Princess Margaret and it is hunger that drives her forth to do such deeds. Put aside for her seven kine, and each day as the sun goes down, carry every drop of milk they yield to the stone trough at the foot of the Heugh, and the Laidly Worm will trouble the country no longer. But if ye would that she be borrowed to her natural shape, and that she who bespelled her be rightly punished, send over the seas for her brother, Childe Wynd."All was done as the warlock advised, the Laidly Worm lived on the milk of the seven kine, and the country was troubled no longer. But when Childe Wynd heard the news, he swore a mighty oath to rescue his sister and revenge her on her cruel stepmother. And three-and-thirty of his men took the oath with him. Then they set to work and built a long ship, and its keel they made of the rowan tree. And when all was ready, they out with their oars and pulled sheer for Bamborough Keep.But as they got near the keep, the stepmother felt by her magic power that something was being wrought against her, so she summoned her familiar imps and said: "Childe Wynd is coming over the seas; he must never land. Raise storms, or bore the hull, but nohow must he touch shore." Then the imps went forth to meet Childe Wynd's ship, but when they got near, they found they had no power over the ship, for its keel was made of the rowan tree. So back they came to the queen witch, who knew not what to do. She ordered her men-at-arms to resist Childe Wynd if he should land near them, and by her spells she caused the Laidly Worm to wait by the entrance of the harbour.As the ship came near, the Worm unfolded its coils, and dipping into the sea, caught hold of the ship of Childe Wynd, and banged it off the shore. Three times Childe Wynd urged his men on to row bravely and strong, but each time the Laidly Worm kept it off the shore. Then Childe Wynd ordered the ship to be put about, and the witch-queen thought he had given up the attempt. But instead of that, he only rounded the next point and landed safe and sound in Budle Creek, and then, with sword drawn and bow bent, rushed up followed by his men, to fight the terrible Worm that had kept him from landing.But the moment Childe Wynd had landed, the witch-queen's power over the Laidly Worm had gone, and she went back to her bower all alone, not an imp, nor a man-at-arms to help her, for she knew her hour was come. So when Childe Wynd came rushing up to the Laidly Worm it made no attempt to stop him or hurt him, but just as he was going to raise his sword to slay it, the voice of his own sister Margaret came from its jaws saying:"O, quit your sword, unbend your bow,And give me kisses three;For though I am a poisonous worm,No harm I'll do to thee."Childe Wynd stayed his hand, but he did not know what to think if some witchery were not in it. Then said the Laidly Worm again:"O, quit your sword, unbend your bow,And give me kisses three,If I'm not won ere set of sun,Won never shall I be."Then Childe Wynd went up to the Laidly Worm and kissed it once; but no change came over it. Then Childe Wynd kissed it once more; but yet no change came over it. For a third time he kissed the loathsome thing, and with a hiss and a roar the Laidly Worm reared back and before Childe Wynd stood his sister Margaret. He wrapped his cloak about her, and then went up to the castle with her. When he reached the keep, he went off to the witch queen's bower, and when he saw her, he touched her with a twig of a rowan tree. No sooner had he touched her than she shrivelled up and shrivelled up, till she became a huge ugly toad, with bold staring eyes and a horrible hiss. She croaked and she hissed, and then hopped away down the castle steps, and Childe Wynd took his father's place as king, and they all lived happy afterwards.But to this day, the loathsome toad is seen at times, haunting the neighbourhood of Bamborough Keep, and the wicked witch-queen is a Laidly Toad.
 Put aside for her seven kine, and each day as the sun goes down, carry every drop of milk they yield to the stone trough at the foot of the Heugh, and the Laidly Worm will trouble the country no longer.

Antigone by Sophocles

Photo: Antigone by Sophocles

Antigone is a tragedy by Sophocles written in or before 441 BC. Chronologically, it is the third of the three Theban plays but was written first.
The play expands on theTheban legend that predated it and picks up where Aeschylus' Seven Against Thebesends. 

Summary:

The Chorus introduces the players. Antigone is the girl who will rise up alone and die young. Haemon, Antigone's dashing fiancé, chats with Ismene, her beautiful sister. Though one would have expected Haemon to go for Ismene, he inexplicably proposed to Antigone on the night of a ball. Creon is king of Thebes, bound to the duties of rule. Next to the sisters' sits the Nurse and Queen Eurydice. Eurydice will knit until the time comes for her to go to her room and die. Finally three Guards play cards, indifferent to the tragedy before them.

The Chorus recounts the events leading to Antigone's tragedy. Oedipus, Antigone and Ismene's father, had two sons, Eteocles and Polynices. Upon Oedipus' death, it was agreed that each would take the throne from one year to the next. After the first year, however, Eteocles, the elder, refused to step down. Polynices and six foreign princes marched on Thebes. All were defeated. The brothers killed each other in a duel, making Creon king. Creon ordered Eteocles buried in honor and left Polynices to rot on the pain of death.It is dawn, and the house is still asleep. Antigone sneaks in and the Nurse appears and asks where she has been. Suddenly Ismene enters, also asking where Antigone has been. Antigone sends the Nurse away for coffee. Ismene declares that they cannot bury Polynices and that she must understand Creon's intentions. Antigone refuses and bids Ismene to go back to bed. Suddenly Haemon enters and Antigone asks Haemon to hold her with all his strength. She tells him that she will never be able to marry him. Stupefied, Haemon departs. Ismene returns, terrified that Antigone will attempt to bury Polynices despite the daylight. Antigone reveals that she has already done so.Later that day, the nervous First Guard enters and informs Creon that someone covered Polynices's body with a little dirt last night. He orders the guards to uncover the body and keep the matter secret. The Chorus appears and announces that the tragedy is on. Its spring is wound, and it will uncoil by itself. Unlike melodrama, tragedy is clean, restful, and flawless. In tragedy, everything is inevitable, hopeless, and known. All are bound to their parts.The Guards enter with the struggling Antigone. The First proposes that they throw a party. Creon appears, and the First explains that Antigone was found digging Polynices' grave by hand in broad daylight. Creon sends the guards out. Once he is certain no one saw Antigone arrested, he orders her to bed, telling her to say that she has been ill. Antigone replies that she will only go out again tonight. Creon asks if she thinks her being Oedipus's daughter puts her above the law. Like Oedipus, her death must seem the "natural climax" to her life. Creon, on the other hand, devotes himself only to the order of the kingdom. Antigone's marriage is worth more to Thebes than her death.Antigone insists that he cannot save her. Enraged, Creon seizes her arm and twists her to his side. Antigone remarks that Creon is squeezing her arm too tightly, but his grasp no longer hurts. Creon releases her. He knows his reign makes him loathsome but he has no choice. Antigone rejoins that he should have said no; she can say no to anything she thinks vile. While ruined, she is a queen. Because Creon said yes, he can only sentence her to death. Creon asks her to pity him then and live. Antigone replies that she is not here to understand, only to say no and die.

Creon makes a final appeal, saying that Antigone needs to understand what goes on in the wings of her drama. As a child, she must have known her brothers made her parents unhappy. Polynices was a cruel, vicious voluptuary. Being too cowardly to imprison him, Oedipus let him join the Argive army. As soon as Polynices reached Argos, the attempts on Oedipus' life began. But Eteocles, Thebes' martyr, too plotted to overthrow his father. Both were gangsters. When Creon sent for their bodies, they were found mashed together in a bloody pulp. He had the prettier one brought in.Dazed, Antigone moves to go her room. Creon urges her to find Haemon and marry quickly. She must not waste her life and its happiness. Antigone challenges his servile happiness. She is of the tribe that asks questions and hates man's hope. A distraught Ismene rushes in, begging Antigone's forgiveness and promising to help her. Antigone rejects her, but she does not deserve to die with her. Ismene swears she will bury Polynices herself then. Antigone calls on Creon to have her arrested, warning him that her disease is catching. Creon relents. The Chorus protests. Haemon enters and begs his father to stop the guards. Creon replies that the mob already knows the truth, and he can do nothing.Antigone sits before the First Guard in her cell; his is the last face she will see. The Guard rambles about his pay, rations, and professional quibbles. Antigone interrupts him, pointing out that she is soon to die. She asks how she is to be executed. The Guard informs her that she is to be immured. The Guard asks if he can do anything for her. She asks if he could give someone a letter, offering him her ring. Reluctant to endanger his job, the Guard suggests that she dictate her letter and he write it in his notebook in case they search his pockets. Antigone winces but accepts. She recites her letter, "Forgive me, my darling. You would all have been so happy except for Antigone." Suddenly a drum roll is heard, and the Guards lead Antigone out.The Chorus enters, announcing that it is Creon's turn. The Messenger delivers the news: Antigone had just been immured, when the crowd heard Haemon's moan from within. Creon howled for the slaves to remove the stones. Antigone had hung herself. Haemon then stabbed himself and lay beside Antigone in a pool of blood. Upon being told of Haemon's death, Eurydice finished her row of knitting, climbed to her room, and cut her throat. Creon is alone. The Chorus notes that truly if it had not been for Antigone, all would have been at peace. All who had to die have now died. Only the Guards are left, and the tragedy does not matter to them.

Antigone is a tragedy by Sophocles written in or before 441 BC. Chronologically, it is the third of the three Theban plays but was written first.
The play expands on theTheban legend that predated it and picks up where Aeschylus' Seven Against Thebesends.

Summary:

The Chorus introduces the players. Antigone is the girl who will rise up alone and die young. Haemon, Antigone's dashing fiancé, chats with Ismene, her beautiful sister. Though one would have expected Haemon to go for Ismene, he inexplicably proposed to Antigone on the night of a ball. Creon is king of Thebes, bound to the duties of rule. Next to the sisters' sits the Nurse and Queen Eurydice. Eurydice will knit until the time comes for her to go to her room and die. Finally three Guards play cards, indifferent to the tragedy before them.

The Chorus recounts the events leading to Antigone's tragedy. Oedipus, Antigone and Ismene's father, had two sons, Eteocles and Polynices. Upon Oedipus' death, it was agreed that each would take the throne from one year to the next. After the first year, however, Eteocles, the elder, refused to step down. Polynices and six foreign princes marched on Thebes. All were defeated. The brothers killed each other in a duel, making Creon king. Creon ordered Eteocles buried in honor and left Polynices to rot on the pain of death.It is dawn, and the house is still asleep. Antigone sneaks in and the Nurse appears and asks where she has been. Suddenly Ismene enters, also asking where Antigone has been. Antigone sends the Nurse away for coffee. Ismene declares that they cannot bury Polynices and that she must understand Creon's intentions. Antigone refuses and bids Ismene to go back to bed. Suddenly Haemon enters and Antigone asks Haemon to hold her with all his strength. She tells him that she will never be able to marry him. Stupefied, Haemon departs. Ismene returns, terrified that Antigone will attempt to bury Polynices despite the daylight. Antigone reveals that she has already done so.Later that day, the nervous First Guard enters and informs Creon that someone covered Polynices's body with a little dirt last night. He orders the guards to uncover the body and keep the matter secret. 

Emily Dickinson Biography.

Photo: Emily Dickinson Biography.

One of the finest poets in the English language, the American poet Emily Dickinson was a keen observer of nature and a wise interpreter of human passion. In the privacy of her study, Dickinson developed her own forms of poetry and pursued her own visions, not paying attention to the fashions of literature of her day. Most of her work was published by her family and friends after her death.

Early life and education

Emily Dickinson was born on December 10, 1830, in Amherst, Massachusetts, the oldest daughter of Edward Dickinson, a successful lawyer, member of Congress, and for many years treasurer of Amherst College, and of Emily Norcross Dickinson, a timid woman. Dickinson was fun-loving as a child, very smart, and enjoyed the company of others. Her brother, Austin, became a lawyer like his father and was also treasurer of Amherst College. The youngest child of the family, Lavinia, became the chief housekeeper and, like her sister Emily, remained at home all her life and never married. The sixth member of this tightly knit group was Susan Gilbert, Emily's ambitious and witty schoolmate who married Austin in 1856 and who moved into the house next door to the Dickinsons. At first she was Emily's very close friend and a valued critic of her poetry, but by 1879 Emily was speaking of her as a "pseudo-sister" (false sister) and had long since stopped exchanging notes and poems.Amherst in the 1840s was a sleepy village dominated by religion and the college. Dickinson was not religious and probably did not like some elements of the town—concerts were rare, and card games, dancing, and theater were unheard of. For relaxation she walked the hills with her dog, visited friends, and read.Dickinson graduated from Amherst Academy in 1847. The following year (the longest time she was ever to spend away from home) she attended Mount Holyoke Female Seminary, but because of her fragile health she did not return. At the age of seventeen she settled into the Dickinson home and turned herself into a housekeeper and a more than ordinary observer of Amherst life.

Early work

It is not known when Dickinson began to write poetry or what happened to the poems of her early youth. Only five poems can be dated before 1858, the year in which she began gathering her work into handwritten copies bound loosely with thread to make small packets. She sent these five early poems to friends in letters or as valentines. After 1858 she apparently convinced herself she had a genuine talent, for now her poems were carefully stored in a box for the possibility of inspection by future readers or even a publisher.Publication, however, was not easily arranged. For four years Dickinson sent her friend Samuel Bowles, editor of the Springfield Republican, many poems and letters. He published two poems, both without her name given as the author. And the first of these was edited, probably by Bowles, to make regular (and thus flatten) the rhymes and the punctuation. (Only seven poems were published during her lifetime, with editors altering all of them.)

Friendship with T. W. Higginson

In 1862 Dickinson turned to the literary critic Thomas Wentworth Higginson for advice about her poems. In time he became, in her words, her "safest friend." She began her first letter to him by asking, "Are you too deeply occupied to say if my verse is alive?" Six years later she was bold enough to say, "You were not aware that you saved my life." They did not meet until 1870—at her request, surprisingly—and only once more after that.What Dickinson was seeking was assurance as well as advice, and Higginson apparently gave it without knowing it, through the letters they sent to each other the rest of her life. He helped her not at all with what mattered most to her—establishing her own private poetic method—but he was a friendly ear and mentor during the most troubled years of her life. Out of her inner troubles came rare poems in a form that Higginson never really understood.

Years of emotional crisis

Between 1858 and 1866 Dickinson wrote more than eleven hundred poems, full of off-rhymes and odd grammar. Few poems are more than sixteen lines long. The major subjects are love and separation, death, nature, and God—but especially love. When she writes "My life closed twice before its close," one can only guess who her real or imagined lovers might have been. Higginson was not one of them. It is more than likely that her first "dear friend" was Benjamin Newton, a young man too poor to marry who had worked for a few years in her father's law office.During a visit to Philadelphia, Pennsylvania, in 1855, Dickinson met the Reverend Charles Wadsworth. Sixteen years older than her, a brilliant preacher, and already married, he was hardly more than a mental image of a lover. There is no doubt she made him this, but nothing more. He visited her once in 1860. When he moved to San Francisco, California, in May 1862, she was in despair. Only a month before, Samuel Bowles had sailed for Europe for health reasons. She needed love, but she had to satisfy this need through her poems, perhaps because she felt she could deal with it no other way.When Bowles returned to Amherst in November, the emotion Dickinson felt was so great that she remained in her bedroom and sent down a note: "That you return to us alive is better than a summer, and more to hear your voice below than news of any bird." By the time Wadsworth returned from California in 1870, the crisis was over. Higginson had not saved her life; her life was never in danger. What had been in danger was her emotional balance and her control over her intense talent.

Last years

In the last two decades of Dickinson's life, she wrote fewer than fifty poems a year, perhaps because of continuing eye trouble, but more probably because she had to take more responsibility in running the household. Her father died in 1874, and a year later her mother suffered a stroke that left her disabled until her death in 1882. Dickinson's health failed noticeably after a nervous collapse in 1884, and on May 15, 1886, she died.It is clear that Dickinson could not have written to please publishers, who were not ready to risk her striking style and originality. Had she published during her lifetime, negative public criticism might have driven her to an even more solitary state of existence, even to silence. "If fame belonged to me," she told Higginson, "I could not escape her; if she did not, the longest day would pass me on the chase.… My barefoot rank is better." The twentieth century lifted her without doubt to the first rank among poets.

One of the finest poets in the English language, the American poet Emily Dickinson was a keen observer of nature and a wise interpreter of human passion. In the privacy of her study, Dickinson developed her own forms of poetry and pursued her own visions, not paying attention to the fashions of literature of her day. Most of her work was published by her family and friends after her death.

Early life and education

Emily Dickinson was born on December 10, 1830, in Amherst, Massachusetts, the oldest daughter of Edward Dickinson, a successful lawyer, member of Congress, and for many years treasurer of Amherst College, and of Emily Norcross Dickinson, a timid woman. Dickinson was fun-loving as a child, very smart, and enjoyed the company of others. Her brother, Austin, became a lawyer like his father and was also treasurer of Amherst College. The youngest child of the family, Lavinia, became the chief housekeeper and, like her sister Emily, remained at home all her life and never married. The sixth member of this tightly knit group was Susan Gilbert, Emily's ambitious and witty schoolmate who married Austin in 1856 and who moved into the house next door to the Dickinsons. At first she was Emily's very close friend and a valued critic of her poetry, but by 1879 Emily was speaking of her as a "pseudo-sister" (false sister) and had long since stopped exchanging notes and poems.Amherst in the 1840s was a sleepy village dominated by religion and the college. Dickinson was not religious and probably did not like some elements of the town—concerts were rare, and card games, dancing, and theater were unheard of. For relaxation she walked the hills with her dog, visited friends, and read.Dickinson graduated from Amherst Academy in 1847. The following year (the longest time she was ever to spend away from home) she attended Mount Holyoke Female Seminary, but because of her fragile health she did not return. At the age of seventeen she settled into the Dickinson home and turned herself into a housekeeper and a more than ordinary observer of Amherst life.

The Canterbury Tales Summary. The Cook's Tale

Roger of Ware, the Cook, claps the Reeve on the back “for joye”. Delighted with the way Symkyn the miller had received his comeuppance in the tale, the Cook then promises a tale of his own, despite the fact that he is only a “povre man” (a poor man). The Host answers, granting Roger the next tale. But he adds “looke that it be good”, and comments on Roger’s tendency to draw the gravy out of unsold pies, and resell pies that have already been reheated twice in his shop, full of flies."">The Host’s conclusion incites Roger the Cook to tell a story “in game” (in jest, in fun).. Roger agrees, and, reminding Harry Bailly (the Host) not to be angry, particularly because his tale is about a “hostileer” (pub-owner, like the Host himself), he begins his tale.The Cook’s TaleOnce an apprentice lived in “our city” (perhaps “Ware” in Hertfordshire – the town the Cook is from) and his craft was selling food. 
He was a short man, with a dark complexion and black hair – and he was an excellent dancer: so good, that people called him “Perkin Reveller” (to “revel” is to dance and have a good time).He loved the tavern better than his shop, and, whenever there was a procession in Cheapside, he would run out of the shop to enjoy himself and dance, forgetting about work. He often stole from his master, with whom he lived until he had finished his apprenticeship. However, one day, his master sent for him, and quoting the proverb “It is better to take the rotten apple out of the bag than to have it rot all the other apples”, decided to get rid of him.Now this jolly apprentice had his leave, and could riot all night if he so pleased – and eventually, he found board with a companion of his own sort: who loved dice, and reveling, and pleasure. This companion had a wife who, for the sake of appearances only, kept a shop – and had sex for a living. Thus – abruptly – ends the Cook’s Tale.AnalysisThus ends the first fragment of the Canterbury Tales with a tale that breaks off before it has really gets anywhere - and the real question is whether the tale is deliberately left unfinished by Chaucer, whether he intended to return to it, or whether we have just lost some of the manuscript. There are no definite answers, unfortunately, and critics have argued for all three positions.That said, there are a few interesting things about the tale as we have it. Firstly, Roger of Ware seems to have been a real person who lived at the same time as Chaucer. 
Photo: The Canterbury Tales Summary.

The Cook's Tale

Roger of Ware, the Cook, claps the Reeve on the back “for joye”. Delighted with the way Symkyn the miller had received his comeuppance in the tale, the Cook then promises a tale of his own, despite the fact that he is only a “povre man” (a poor man). The Host answers, granting Roger the next tale. But he adds “looke that it be good”, and comments on Roger’s tendency to draw the gravy out of unsold pies, and resell pies that have already been reheated twice in his shop, full of flies."">The Host’s conclusion incites Roger the Cook to tell a story “in game” (in jest, in fun).. Roger agrees, and, reminding Harry Bailly (the Host) not to be angry, particularly because his tale is about a “hostileer” (pub-owner, like the Host himself), he begins his tale.The Cook’s TaleOnce an apprentice lived in “our city” (perhaps “Ware” in Hertfordshire – the town the Cook is from) and his craft was selling food. He was a short man, with a dark complexion and black hair – and he was an excellent dancer: so good, that people called him “Perkin Reveller” (to “revel” is to dance and have a good time).He loved the tavern better than his shop, and, whenever there was a procession in Cheapside, he would run out of the shop to enjoy himself and dance, forgetting about work. He often stole from his master, with whom he lived until he had finished his apprenticeship. However, one day, his master sent for him, and quoting the proverb “It is better to take the rotten apple out of the bag than to have it rot all the other apples”, decided to get rid of him.Now this jolly apprentice had his leave, and could riot all night if he so pleased – and eventually, he found board with a companion of his own sort: who loved dice, and reveling, and pleasure. This companion had a wife who, for the sake of appearances only, kept a shop – and had sex for a living. Thus – abruptly – ends the Cook’s Tale.AnalysisThus ends the first fragment of the Canterbury Tales with a tale that breaks off before it has really gets anywhere - and the real question is whether the tale is deliberately left unfinished by Chaucer, whether he intended to return to it, or whether we have just lost some of the manuscript. There are no definite answers, unfortunately, and critics have argued for all three positions.That said, there are a few interesting things about the tale as we have it. Firstly, Roger of Ware seems to have been a real person who lived at the same time as Chaucer. This lends a whole new aspect to the Canterbury Tales, if we consider that Chaucer might have populated his pilgrimage with real people, whom his audience might have recognized. The whole question, raised already in other tales, of reality verses fiction, takes on a deeper level when we consider that Chaucer is not the only pilgrim to have a dual existence - in the real world and within the fictional one. Might this tale be in some way a parody or a joke at the real Roger’s expense? It’s very possible, but impossible to prove.Seth Lerer has persuasively argued that – like many other of Chaucer’s works, including “The House of Fame”, and “The Legend of Good Women” – there is a very real possibility that the Cook’s Tale might have been left deliberately unfinished. It is, Professor Lerer argues, a tale which breaks off just at the point where we understand what sort of tale it is to be – a grim, gritty tale about a prostitute and a drunken, good-for-nothing apprentice. The trajectory from the formal, fictionalized, stylish romance of the Knight’s Tale, down through the fabliaux of the Miller and Reeve hits rock-bottom with a realistic tale about a real Cook and animal copulation in exchange for money. We don’t hear the Cook’s Tale told: but we know all too well what sort of thing is to come next - and so language disintegrates completely at the end of the First Fragment. Formal language was replaced by bodily noises in the Miller’s Tale, language was replaced by action in the Reeve’s Tale, and now language stops altogether. The whole project of the Tales comes to a dead standstill.
This lends a whole new aspect to the Canterbury Tales, if we consider that Chaucer might have populated his pilgrimage with real people, whom his audience might have recognized. The whole question, raised already in other tales, of reality verses fiction, takes on a deeper level when we consider that Chaucer is not the only pilgrim to have a dual existence - in the real world and within the fictional one. Might this tale be in some way a parody or a joke at the real Roger’s expense? It’s very possible, but impossible to prove.Seth Lerer has persuasively argued that – like many other of Chaucer’s works, including “The House of Fame”, and “The Legend of Good Women” – there is a very real possibility that the Cook’s Tale might have been left deliberately unfinished. It is, Professor Lerer argues, a tale which breaks off just at the point where we understand what sort of tale it is to be – a grim, gritty tale about a prostitute and a drunken, good-for-nothing apprentice. The trajectory from the formal, fictionalized, stylish romance of the Knight’s Tale, down through the fabliaux of the Miller and Reeve hits rock-bottom with a realistic tale about a real Cook and animal copulation in exchange for money. We don’t hear the Cook’s Tale told: but we know all too well what sort of thing is to come next - and so language disintegrates completely at the end of the First Fragment. Formal language was replaced by bodily noises in the Miller’s Tale, language was replaced by action in the Reeve’s Tale, and now language stops altogether. The whole project of the Tales comes to a dead standstill.

Marriage Morning BY ALFRED, LORD TENNYSON

Light, so low upon earth,
You send a flash to the sun.Here is the golden close of love,
All my wooing is done.
Oh, all the woods and the meadows,
Woods, where we hid from the wet,Stiles where we stayed to be kind, Meadows in which we met!Light, so low in the vale
You flash and lighten afar,
For this is the golden morning of love,
And you are his morning star.
Flash, I am coming, I come,
By meadow and stile and wood,
Oh, lighten into my eyes and my heart,
Into my heart and my blood!
Heart, are you great enough For a love that never tires?
O heart, are you great enough for love?
I have heard of thorns and briers.
Over the thorns and briers, Over the meadows and stiles,
Over the world to the end of it
Flash of a million miles.
Photo: Marriage Morning
BY ALFRED, LORD TENNYSON

Light, so low upon earth,   
You send a flash to the sun.Here is the golden close of love, 
  All my wooing is done.
Oh, all the woods and the meadows,
   Woods, where we hid from the wet,Stiles where we stayed to be kind,   Meadows in which we met!Light, so low in the vale   
You flash and lighten afar,
For this is the golden morning of love,
   And you are his morning star.
Flash, I am coming, I come,  
 By meadow and stile and wood,
Oh, lighten into my eyes and my heart,   
Into my heart and my blood!
Heart, are you great enough   For a love that never tires?
O heart, are you great enough for love?  
 I have heard of thorns and briers.
Over the thorns and briers,   Over the meadows and stiles,
Over the world to the end of it 
  Flash of a million miles.

The Man of Law’s Tale.

In Syria there dwelt a company of wealthy traders who made a journey to Rome. After a certain time there, they heard of the beauty of Constance, the emperor's daughter, renowned equally for her virtue, her goodness and her beauty. When they had seen her themselves, the merchants returned to Syria, and reported to the sultan, who was immediately taken with lust and wonder for Constance.The sultan met with his advisors and told them of his intent, but they could conceive of no way that he could marry Constance, for no Christian emperor would allow his daughter to marry a Muslim. “Rather than I lese / Custance, I wol be cristned” (Rather than I lose / Constance, I will be christened) answered the sultan, and, insisting that his baronage were christened with him, the sultan set about having his court christened.The Roman Emperor heard of the sultan’s desire, and agreed to it, organizing a huge amount of pomp and circumstance for the occasion. 
The day arrived for Constance to depart, and everyone prepared themselves. But Constance, overcome with sorrow, arose from bed and dressed to depart, knowing that there was no other way things could be.It is no wonder, the narrator comments, that she wept, considering that she was being sent to a foreign country, away from her friends, to be married to someone she had never met. Constance then addressed her father, sad to leave him and go to the “Barbre nacioun” (pagan land), hoping that she would fulfill Christ’s behest, continuing I, wrecche woman, no fors though I spille! (I am just a wretched woman, and it doesn’t matter if I die)Wommen are born to thralldom and penance, (women are born to slavery and suffering)And to been under mannes governance. (and to live under men’s governing)Constance was brought to the ship, and desperately trying to put on a brave face, sailed away.Meanwhile, the Sultan’s mother, “welle of vices” (a well of vice), who knew her son’s intention, called her counsellers to her and told them that she would rather die than renounce Mohammed’s law (and Islam). Each man swore to live and die with her, and she instructed them to be baptized as her son had ordered (“Cooold water shal nat greve us but a lite!”)The first part of the tale ends with a damning of the Sultanesse, the “roote of iniquitee”, as the Sultan agrees to do her the honor of having the Christians to feast at her table.
The Christians arrived in Syria with a great and solemn crowd, and, after many celebrations, the time came for all of the Christian folk, along with the Sultan’s entourage, to feast at the Sultanesse’s house. The tale breaks off to mourn “sodeyn wo, that evere art successour / To worldly blisse” (sudden woe, which is always the successor of worldly bliss) before revealing that every one of the Christians and the Sultan were knifed and cut to pieces at the table. There was now in Syria no-one who had converted to Christianity – only Constance survived.The Sultanesse’s men took Constance and put her in a ship without a rudder, bidding her to learn to sail out of Syria and back to Italy. She had a certain amount of treasure on board, and the men had supplied her with food and with clothes - and forth she sailed across the sea. Constance blessed herself and said a prayer to Christ’s cross. At this point the story breaks back to narrative again, and the Man of Law (or Chaucer) raises the question of why Constance was not also killed at the feast – answering it with another question: who saved Daniel in the lion’s den? Christian God is the answer to both.The ship finally crashed on the shores of Northumberland.  
Photo: The Man of Law’s Tale.

In Syria there dwelt a company of wealthy traders who made a journey to Rome. After a certain time there, they heard of the beauty of Constance, the emperor's daughter, renowned equally for her virtue, her goodness and her beauty. When they had seen her themselves, the merchants returned to Syria, and reported to the sultan, who was immediately taken with lust and wonder for Constance.The sultan met with his advisors and told them of his intent, but they could conceive of no way that he could marry Constance, for no Christian emperor would allow his daughter to marry a Muslim. “Rather than I lese / Custance, I wol be cristned” (Rather than I lose / Constance, I will be christened) answered the sultan, and, insisting that his baronage were christened with him, the sultan set about having his court christened.The Roman Emperor heard of the sultan’s desire, and agreed to it, organizing a huge amount of pomp and circumstance for the occasion. The day arrived for Constance to depart, and everyone prepared themselves. But Constance, overcome with sorrow, arose from bed and dressed to depart, knowing that there was no other way things could be.It is no wonder, the narrator comments, that she wept, considering that she was being sent to a foreign country, away from her friends, to be married to someone she had never met. Constance then addressed her father, sad to leave him and go to the “Barbre nacioun” (pagan land), hoping that she would fulfill Christ’s behest, continuingI, wrecche woman, no fors though I spille! (I am just a wretched woman, and it doesn’t matter if I die)Wommen are born to thralldom and penance, (women are born to slavery and suffering)And to been under mannes governance. (and to live under men’s governing)Constance was brought to the ship, and desperately trying to put on a brave face, sailed away.Meanwhile, the Sultan’s mother, “welle of vices” (a well of vice), who knew her son’s intention, called her counsellers to her and told them that she would rather die than renounce Mohammed’s law (and Islam). Each man swore to live and die with her, and she instructed them to be baptized as her son had ordered (“Cooold water shal nat greve us but a lite!”)The first part of the tale ends with a damning of the Sultanesse, the “roote of iniquitee”, as the Sultan agrees to do her the honor of having the Christians to feast at her table.
The Christians arrived in Syria with a great and solemn crowd, and, after many celebrations, the time came for all of the Christian folk, along with the Sultan’s entourage, to feast at the Sultanesse’s house. The tale breaks off to mourn “sodeyn wo, that evere art successour / To worldly blisse” (sudden woe, which is always the successor of worldly bliss) before revealing that every one of the Christians and the Sultan were knifed and cut to pieces at the table. There was now in Syria no-one who had converted to Christianity – only Constance survived.The Sultanesse’s men took Constance and put her in a ship without a rudder, bidding her to learn to sail out of Syria and back to Italy. She had a certain amount of treasure on board, and the men had supplied her with food and with clothes - and forth she sailed across the sea. Constance blessed herself and said a prayer to Christ’s cross. At this point the story breaks back to narrative again, and the Man of Law (or Chaucer) raises the question of why Constance was not also killed at the feast – answering it with another question: who saved Daniel in the lion’s den? Christian God is the answer to both.The ship finally crashed on the shores of Northumberland. The warden of a nearby castle found Constance and gave her shelter, but she refused to reveal her identity. He and his wife, Dame Hermengyld, were pagans, but Constance soon secretly converted the wife to Christianity. In this heathen land, Christians could only practice their faith in secret. While walking on the beach, Constance, Hermengyld and her husband came upon a blind Christian, who identified her without his eyes. Although Hermengild feared that her husband would reproach her for attempting the conversion, this miracle converted him too to Christianity.The warden was not the lord of the castle. Instead, it was Alla, the king of Northumberland. A young knight, influenced by Satan, fell in love with Constance, but she would not return her favors. In an attempt to exact revenge upon her, he broke into the bedchamber where Constance and Dame Hermengyld slept, slit Hermengyld's throat and placed the knife beside Constance. Soon after the warden came home with Alla and found his wife murdered. Taking her before King Alla, who was told all the circumstances of Constance’s arrival in Northumberland, the false knight (who killed Hermengyld) insisted that Constance had done the murder.
The people spoke out on her behalf, unable to believe that Constance had done the crime; and this provoked the king to inquire further into the circumstances of what had happened. Constance fell to her knees and prayed, looking around her for help. “Now hastily do fecche a book”, King Alla commanded, deciding that, if the knight swore on the book that Constance was responsible, he would think carefully about his decision. A book was brought, and, the knight swore on it that Constance was guilty - at that time, a hand struck him down on the neck-bone, and he fell down like a stone, both of his eyes bursting out of his face.Witnessing this miracle, the king – “and many another in that place” – was converted to Christianity., and decided to take Constance for his wife. But, who was upset about this wedding but Donegild, the knight’s mother? She thought her heart had broken in two. In the meantime, the couple were wedded, and Constance gave birth to a boy, named Mauricius, while Alla was away in Scotland fighting. A messenger, taking the news to the king, was forestalled by the queen who insisted he stayed with her that night, and, while he was asleep, replaced his letters with forged ones. Her letters claimed that Constance’s baby was foul and wicked; and when Alla wrote back that he vowed to love the child regardless, Donegild replaced his letter with an order to banish Constance and her child from the land on the same boat from which they came.
When Alla returned home, he learned what had happened and murdered his mother for her cruelty, and for being a traitor. But Constance had already set sail, and washed up in another heathen land, where the warden's steward came on board her ship, telling her that he would be her lover whether she liked it or not. Her child cried, and Constance cried also; but the Virgin Mary came to her aid, and, in the struggle that ensued, the steward fell overboard and drowned in the sea.Returning to Syria, the emperor of Rome had sent an army, hearing of the slaughter of Christians by the sultaness, and, having burnt, slain and avenged themselves on the heathen people, this army was now returning homeward to Rome. The senator in charge of the army met Constance in her ship, and, not knowing who she was, brought her home to Rome, where she stayed for a “longe tyme”.King Alla, having slain his mother, had come to Rome to receive his penance and seek Christ’s forgiveness for the wickedness he had performed. The rumor spread through Rome of how Alla was to come in pilgrimage, and this senator came to do him reverence. Constance’s son went in the entourage of the senator to feast with King Alla.The child stood at the feast, looking into the king’s face; Alla then asked the senator whose the child was. “A mooder he hath”, replied the senator, “but fader hath he noon”, and told him the story of how the child was found. Remembering Constance’s face, and seeing the resemblance in her child’s face, Alla sped from the table as soon as he could, debating with himself about the hallucination he thought he was having. But afterwards, the senator sent for Constance, and, when Alla saw his wife, he wept, because it had come true. Constance stood as dumb as a tree, stiff with emotion, when she remembered his unkindness: which he soon explained had not been of his doing. When all was explained, they kissed a hundred times, and were blissfully happy.The Emperor had granted that King Alla could dine with him; and, as she saw her father in the street, Constance laid down at his needs, and explained to him who she was. There was such joy between the three of them that it cannot be described.Later, Constance’s child Maurice was made Emperor by the Pope, but, the narrator reiterates, “Of Custance is my tale specially”. Constance and Alla came to England to live in joy and in peace, but sadly, only a year after they had been reunited, Death took King Alla from the world. Constance, at the very end of the tale, widowed, makes her way again to Rome, to find her father and praise God.Epilogue to the Man of Law's Tale
The warden of a nearby castle found Constance and gave her shelter, but she refused to reveal her identity. He and his wife, Dame Hermengyld, were pagans, but Constance soon secretly converted the wife to Christianity. In this heathen land, Christians could only practice their faith in secret. While walking on the beach, Constance, Hermengyld and her husband came upon a blind Christian, who identified her without his eyes. Although Hermengild feared that her husband would reproach her for attempting the conversion, this miracle converted him too to Christianity

Friday 23 August 2013

Thumbelina by Hans Christian Andersen

Photo: Thumbelina by Hans Christian Andersen

Here was once a woman who wished very much to have a little child, but she could not obtain her wish. At last she went to a fairy, and said, "I should so very much like to have a little child; can you tell me where I can find one?"

"Oh, that can be easily managed," said the fairy. "Here is a barleycorn of a different kind to those which grow in the farmer’s fields, and which the chickens eat; put it into a flower-pot, and see what will happen."

"Thank you," said the woman, and she gave the fairy twelve shillings, which was the price of the barleycorn. Then she went home and planted it, and immediately there grew up a large handsome flower, something like a tulip in appearance, but with its leaves tightly closed as if it were still a bud. "It is a beautiful flower," said the woman, and she kissed the red and golden-colored leaves, and while she did so the flower opened, and she could see that it was a real tulip. Within the flower, upon the green velvet stamens, sat a very delicate and graceful little maiden. She was scarcely half as long as a thumb, and they gave her the name of "Thumbelina," or Tiny, because she was so small. A walnut-shell, elegantly polished, served her for a cradle; her bed was formed of blue violet-leaves, with a rose-leaf for a counterpane. Here she slept at night, but during the day she amused herself on a table, where the woman had placed a plateful of water. Round this plate were wreaths of flowers with their stems in the water, and upon it floated a large tulip-leaf, which served Tiny for a boat. Here the little maiden sat and rowed herself from side to side, with two oars made of white horse-hair. It really was a very pretty sight. Tiny could, also, sing so softly and sweetly that nothing like her singing had ever before been heard. One night, while she lay in her pretty bed, a large, ugly, wet toad crept through a broken pane of glass in the window, and leaped right upon the table where Tiny lay sleeping under her rose-leaf quilt. "What a pretty little wife this would make for my son," said the toad, and she took up the walnut-shell in which little Tiny lay asleep, and jumped through the window with it into the garden.

In the swampy margin of a broad stream in the garden lived the toad, with her son. He was uglier even than his mother, and when he saw the pretty little maiden in her elegant bed, he could only cry, "Croak, croak, croak."

"Don’t speak so loud, or she will wake," said the toad, "and then she might run away, for she is as light as swan’s down. We will place her on one of the water-lily leaves out in the stream; it will be like an island to her, she is so light and small, and then she cannot escape; and, while she is away, we will make haste and prepare the state-room under the marsh, in which you are to live when you are married."

Far out in the stream grew a number of water-lilies, with broad green leaves, which seemed to float on the top of the water. The largest of these leaves appeared farther off than the rest, and the old toad swam out to it with the walnut-shell, in which little Tiny lay still asleep. The tiny little creature woke very early in the morning, and began to cry bitterly when she found where she was, for she could see nothing but water on every side of the large green leaf, and no way of reaching the land. Meanwhile the old toad was very busy under the marsh, decking her room with rushes and wild yellow flowers, to make it look pretty for her new daughter-in-law. Then she swam out with her ugly son to the leaf on which she had placed poor little Tiny. She wanted to fetch the pretty bed, that she might put it in the bridal chamber to be ready for her. The old toad bowed low to her in the water, and said, "Here is my son, he will be your husband, and you will live happily in the marsh by the stream."

"Croak, croak, croak," was all her son could say for himself; so the toad took up the elegant little bed, and swam away with it, leaving Tiny all alone on the green leaf, where she sat and wept. She could not bear to think of living with the old toad, and having her ugly son for a husband. The little fishes, who swam about in the water beneath, had seen the toad, and heard what she said, so they lifted their heads above the water to look at the little maiden. As soon as they caught sight of her, they saw she was very pretty, and it made them very sorry to think that she must go and live with the ugly toads. "No, it must never be!" so they assembled together in the water, round the green stalk which held the leaf on which the little maiden stood, and gnawed it away at the root with their teeth. Then the leaf floated down the stream, carrying Tiny far away out of reach of land.

Tiny sailed past many towns, and the little birds in the bushes saw her, and sang, "What a lovely little creature;" so the leaf swam away with her farther and farther, till it brought her to other lands. A graceful little white butterfly constantly fluttered round her, and at last alighted on the leaf. Tiny pleased him, and she was glad of it, for now the toad could not possibly reach her, and the country through which she sailed was beautiful, and the sun shone upon the water, till it glittered like liquid gold. She took off her girdle and tied one end of it round the butterfly, and the other end of the ribbon she fastened to the leaf, which now glided on much faster than ever, taking little Tiny with it as she stood. Presently a large cockchafer flew by; the moment he caught sight of her, he seized her round her delicate waist with his claws, and flew with her into a tree. The green leaf floated away on the brook, and the butterfly flew with it, for he was fastened to it, and could not get away.

Oh, how frightened little Tiny felt when the cockchafer flew with her to the tree! But especially was she sorry for the beautiful white butterfly which she had fastened to the leaf, for if he could not free himself he would die of hunger. But the cockchafer did not trouble himself at all about the matter. He seated himself by her side on a large green leaf, gave her some honey from the flowers to eat, and told her she was very pretty, though not in the least like a cockchafer. After a time, all the cockchafers turned up their feelers, and said, "She has only two legs! how ugly that looks." "She has no feelers," said another. "Her waist is quite slim. Pooh! she is like a human being."

"Oh! she is ugly," said all the lady cockchafers, although Tiny was very pretty. Then the cockchafer who had run away with her, believed all the others when they said she was ugly, and would have nothing more to say to her, and told her she might go where she liked. Then he flew down with her from the tree, and placed her on a daisy, and she wept at the thought that she was so ugly that even the cockchafers would have nothing to say to her. And all the while she was really the loveliest creature that one could imagine, and as tender and delicate as a beautiful rose-leaf. During the whole summer poor little Tiny lived quite alone in the wide forest. She wove herself a bed with blades of grass, and hung it up under a broad leaf, to protect herself from the rain. She sucked the honey from the flowers for food, and drank the dew from their leaves every morning. So passed away the summer and the autumn, and then came the winter, the long, cold winter. All the birds who had sung to her so sweetly were flown away, and the trees and the flowers had withered. The large clover leaf under the shelter of which she had lived, was now rolled together and shrivelled up, nothing remained but a yellow withered stalk. She felt dreadfully cold, for her clothes were torn, and she was herself so frail and delicate, that poor little Tiny was nearly frozen to death. It began to snow too; and the snow-flakes, as they fell upon her, were like a whole shovelful falling upon one of us, for we are tall, but she was only an inch high. Then she wrapped herself up in a dry leaf, but it cracked in the middle and could not keep her warm, and she shivered with cold. Near the wood in which she had been living lay a corn-field, but the corn had been cut a long time; nothing remained but the bare dry stubble standing up out of the frozen ground. It was to her like struggling through a large wood. Oh! how she shivered with the cold. She came at last to the door of a field-mouse, who had a little den under the corn-stubble. There dwelt the field-mouse in warmth and comfort, with a whole roomful of corn, a kitchen, and a beautiful dining room. Poor little Tiny stood before the door just like a little beggar-girl, and begged for a small piece of barley-corn, for she had been without a morsel to eat for two days.

"You poor little creature," said the field-mouse, who was really a good old field-mouse, "come into my warm room and dine with me." She was very pleased with Tiny, so she said, "You are quite welcome to stay with me all the winter, if you like; but you must keep my rooms clean and neat, and tell me stories, for I shall like to hear them very much." And Tiny did all the field-mouse asked her, and found herself very comfortable.

"We shall have a visitor soon," said the field-mouse one day; "my neighbor pays me a visit once a week. He is better off than I am; he has large rooms, and wears a beautiful black velvet coat. If you could only have him for a husband, you would be well provided for indeed. But he is blind, so you must tell him some of your prettiest stories."

But Tiny did not feel at all interested about this neighbor, for he was a mole. However, he came and paid his visit dressed in his black velvet coat.

"He is very rich and learned, and his house is twenty times larger than mine," said the field-mouse.

He was rich and learned, no doubt, but he always spoke slightingly of the sun and the pretty flowers, because he had never seen them. Tiny was obliged to sing to him, "Lady-bird, lady-bird, fly away home," and many other pretty songs. And the mole fell in love with her because she had such a sweet voice; but he said nothing yet, for he was very cautious. A short time before, the mole had dug a long passage under the earth, which led from the dwelling of the field-mouse to his own, and here she had permission to walk with Tiny whenever she liked. But he warned them not to be alarmed at the sight of a dead bird which lay in the passage. It was a perfect bird, with a beak and feathers, and could not have been dead long, and was lying just where the mole had made his passage. The mole took a piece of phosphorescent wood in his mouth, and it glittered like fire in the dark; then he went before them to light them through the long, dark passage. When they came to the spot where lay the dead bird, the mole pushed his broad nose through the ceiling, the earth gave way, so that there was a large hole, and the daylight shone into the passage. In the middle of the floor lay a dead swallow, his beautiful wings pulled close to his sides, his feet and his head drawn up under his feathers; the poor bird had evidently died of the cold. It made little Tiny very sad to see it, she did so love the little birds; all the summer they had sung and twittered for her so beautifully. But the mole pushed it aside with his crooked legs, and said, "He will sing no more now. How miserable it must be to be born a little bird! I am thankful that none of my children will ever be birds, for they can do nothing but cry, ‘Tweet, tweet,’ and always die of hunger in the winter."

"Yes, you may well say that, as a clever man!" exclaimed the field-mouse, "What is the use of his twittering, for when winter comes he must either starve or be frozen to death. Still birds are very high bred."

Tiny said nothing; but when the two others had turned their backs on the bird, she stooped down and stroked aside the soft feathers which covered the head, and kissed the closed eyelids. "Perhaps this was the one who sang to me so sweetly in the summer," she said; "and how much pleasure it gave me, you dear, pretty bird."

The mole now stopped up the hole through which the daylight shone, and then accompanied the lady home. But during the night Tiny could not sleep; so she got out of bed and wove a large, beautiful carpet of hay; then she carried it to the dead bird, and spread it over him; with some down from the flowers which she had found in the field-mouse’s room. It was as soft as wool, and she spread some of it on each side of the bird, so that he might lie warmly in the cold earth. "Farewell, you pretty little bird," said she, "farewell; thank you for your delightful singing during the summer, when all the trees were green, and the warm sun shone upon us." Then she laid her head on the bird’s breast, but she was alarmed immediately, for it seemed as if something inside the bird went "thump, thump." It was the bird’s heart; he was not really dead, only benumbed with the cold, and the warmth had restored him to life. In autumn, all the swallows fly away into warm countries, but if one happens to linger, the cold seizes it, it becomes frozen, and falls down as if dead; it remains where it fell, and the cold snow covers it. Tiny trembled very much; she was quite frightened, for the bird was large, a great deal larger than herself, she was only an inch high. But she took courage, laid the wool more thickly over the poor swallow, and then took a leaf which she had used for her own counterpane, and laid it over the head of the poor bird. The next morning she again stole out to see him. He was alive but very weak; he could only open his eyes for a moment to look at Tiny, who stood by holding a piece of decayed wood in her hand, for she had no other lantern. "Thank you, pretty little maiden," said the sick swallow; "I have been so nicely warmed, that I shall soon regain my strength, and be able to fly about again in the warm sunshine."

"Oh," said she, "it is cold out of doors now; it snows and freezes. Stay in your warm bed; I will take care of you."

Then she brought the swallow some water in a flower-leaf, and after he had drank, he told her that he had wounded one of his wings in a thorn-bush, and could not fly as fast as the others, who were soon far away on their journey to warm countries. Then at last he had fallen to the earth, and could remember no more, nor how he came to be where she had found him. The whole winter the swallow remained underground, and Tiny nursed him with care and love. Neither the mole nor the field-mouse knew anything about it, for they did not like swallows. Very soon the spring time came, and the sun warmed the earth. Then the swallow bade farewell to Tiny, and she opened the hole in the ceiling which the mole had made. The sun shone in upon them so beautifully, that the swallow asked her if she would go with him; she could sit on his back, he said, and he would fly away with her into the green woods. But Tiny knew it would make the field-mouse very grieved if she left her in that manner, so she said, "No, I cannot."

"Farewell, then, farewell, you good, pretty little maiden," said the swallow; and he flew out into the sunshine.

Tiny looked after him, and the tears rose in her eyes. She was very fond of the poor swallow.

"Tweet, tweet," sang the bird, as he flew out into the green woods, and Tiny felt very sad. She was not allowed to go out into the warm sunshine. The corn which had been sown in the field over the house of the field-mouse had grown up high into the air, and formed a thick wood to Tiny, who was only an inch in height.

"You are going to be married, Tiny," said the field-mouse. "My neighbor has asked for you. What good fortune for a poor child like you. Now we will prepare your wedding clothes. They must be both woollen and linen. Nothing must be wanting when you are the mole’s wife."

Tiny had to turn the spindle, and the field-mouse hired four spiders, who were to weave day and night. Every evening the mole visited her, and was continually speaking of the time when the summer would be over. Then he would keep his wedding-day with Tiny; but now the heat of the sun was so great that it burned the earth, and made it quite hard, like a stone. As soon, as the summer was over, the wedding should take place. But Tiny was not at all pleased; for she did not like the tiresome mole. Every morning when the sun rose, and every evening when it went down, she would creep out at the door, and as the wind blew aside the ears of corn, so that she could see the blue sky, she thought how beautiful and bright it seemed out there, and wished so much to see her dear swallow again. But he never returned; for by this time he had flown far away into the lovely green forest.

When autumn arrived, Tiny had her outfit quite ready; and the field-mouse said to her, "In four weeks the wedding must take place."

Then Tiny wept, and said she would not marry the disagreeable mole.

"Nonsense," replied the field-mouse. "Now don’t be obstinate, or I shall bite you with my white teeth. He is a very handsome mole; the queen herself does not wear more beautiful velvets and furs. His kitchen and cellars are quite full. You ought to be very thankful for such good fortune."

So the wedding-day was fixed, on which the mole was to fetch Tiny away to live with him, deep under the earth, and never again to see the warm sun, because he did not like it. The poor child was very unhappy at the thought of saying farewell to the beautiful sun, and as the field-mouse had given her permission to stand at the door, she went to look at it once more.

"Farewell bright sun," she cried, stretching out her arm towards it; and then she walked a short distance from the house; for the corn had been cut, and only the dry stubble remained in the fields. "Farewell, farewell," she repeated, twining her arm round a little red flower that grew just by her side. "Greet the little swallow from me, if you should see him again."

"Tweet, tweet," sounded over her head suddenly. She looked up, and there was the swallow himself flying close by. As soon as he spied Tiny, he was delighted; and then she told him how unwilling she felt to marry the ugly mole, and to live always beneath the earth, and never to see the bright sun any more. And as she told him she wept.

"Cold winter is coming," said the swallow, "and I am going to fly away into warmer countries. Will you go with me? You can sit on my back, and fasten yourself on with your sash. Then we can fly away from the ugly mole and his gloomy rooms, far away, over the mountains, into warmer countries, where the sun shines more brightly than here; where it is always summer, and the flowers bloom in greater beauty. Fly now with me, dear little Tiny; you saved my life when I lay frozen in that dark passage."

"Yes, I will go with you," said Tiny; and she seated herself on the bird’s back, with her feet on his outstretched wings, and tied her girdle to one of his strongest feathers.

Then the swallow rose in the air, and flew over forest and over sea, high above the highest mountains, covered with eternal snow. Tiny would have been frozen in the cold air, but she crept under the bird’s warm feathers, keeping her little head uncovered, so that she might admire the beautiful lands over which they passed. At length they reached the warm countries, where the sun shines brightly, and the sky seems so much higher above the earth. Here, on the hedges, and by the wayside, grew purple, green, and white grapes; lemons and oranges hung from trees in the woods; and the air was fragrant with myrtles and orange blossoms. Beautiful children ran along the country lanes, playing with large gay butterflies; and as the swallow flew farther and farther, every place appeared still more lovely.

At last they came to a blue lake, and by the side of it, shaded by trees of the deepest green, stood a palace of dazzling white marble, built in the olden times. Vines clustered round its lofty pillars, and at the top were many swallows’ nests, and one of these was the home of the swallow who carried Tiny.

"This is my house," said the swallow; "but it would not do for you to live there you would not be comfortable. You must choose for yourself one of those lovely flowers, and I will put you down upon it, and then you shall have everything that you can wish to make you happy."

"That will be delightful," she said, and clapped her little hands for joy.

A large marble pillar lay on the ground, which, in falling, had been broken into three pieces. Between these pieces grew the most beautiful large white flowers; so the swallow flew down with Tiny, and placed her on one of the broad leaves. But how surprised she was to see in the middle of the flower, a tiny little man, as white and transparent as if he had been made of crystal! He had a gold crown on his head, and delicate wings at his shoulders, and was not much larger than Tiny herself. He was the angel of the flower; for a tiny man and a tiny woman dwell in every flower; and this was the king of them all.

"Oh, how beautiful he is!" whispered Tiny to the swallow.

The little prince was at first quite frightened at the bird, who was like a giant, compared to such a delicate little creature as himself; but when he saw Tiny, he was delighted, and thought her the prettiest little maiden he had ever seen. He took the gold crown from his head, and placed it on hers, and asked her name, and if she would be his wife, and queen over all the flowers.

This certainly was a very different sort of husband to the son of a toad, or the mole, with my black velvet and fur; so she said, "Yes," to the handsome prince. Then all the flowers opened, and out of each came a little lady or a tiny lord, all so pretty it was quite a pleasure to look at them. Each of them brought Tiny a present; but the best gift was a pair of beautiful wings, which had belonged to a large white fly and they fastened them to Tiny’s shoulders, so that she might fly from flower to flower. Then there was much rejoicing, and the little swallow who sat above them, in his nest, was asked to sing a wedding song, which he did as well as he could; but in his heart he felt sad for he was very fond of Tiny, and would have liked never to part from her again.

"You must not be called Tiny any more," said the spirit of the flowers to her. "It is an ugly name, and you are so very pretty. We will call you Maia."

"Farewell, farewell," said the swallow, with a heavy heart as he left the warm countries to fly back into Denmark. There he had a nest over the window of a house in which dwelt the writer of fairy tales. The swallow sang, "Tweet, tweet," and from his song came the whole story.


Here was once a woman who wished very much to have a little child, but she could not obtain her wish. At last she went to a fairy, and said, "I should so very much like to have a little child; can you tell me where I can find one?"

"Oh, that can be easily managed," said the fairy. "Here is a barleycorn of a different kind to those which grow in the farmer’s fields, and which the chickens eat; put it into a flower-pot, and see what will happen."

"Thank you," said the woman, and she gave the fairy twelve shillings, which was the price of the barleycorn. Then she went home and planted it, and immediately there grew up a large handsome flower, something like a tulip in appearance, but with its leaves tightly closed as if it were still a bud. "It is a beautiful flower," said the woman, and she kissed the red and golden-colored leaves, and while she did so the flower opened, and she could see that it was a real tulip. Within the flower, upon the green velvet stamens, sat a very delicate and graceful little maiden. She was scarcely half as long as a thumb, and they gave her the name of "Thumbelina," or Tiny, because she was so small. A walnut-shell, elegantly polished, served her for a cradle; her bed was formed of blue violet-leaves, with a rose-leaf for a counterpane. Here she slept at night, but during the day she amused herself on a table, where the woman had placed a plateful of water. Round this plate were wreaths of flowers with their stems in the water, and upon it floated a large tulip-leaf, which served Tiny for a boat. Here the little maiden sat and rowed herself from side to side, with two oars made of white horse-hair. It really was a very pretty sight. Tiny could, also, sing so softly and sweetly that nothing like her singing had ever before been heard. One night, while she lay in her pretty bed, a large, ugly, wet toad crept through a broken pane of glass in the window, and leaped right upon the table where Tiny lay sleeping under her rose-leaf quilt. "What a pretty little wife this would make for my son," said the toad, and she took up the walnut-shell in which little Tiny lay asleep, and jumped through the window with it into the garden.