Tuesday, 24 September 2013

Beauty and the Beast By Brothers Grimm

Once upon a time as a merchant set off for market, he asked each of his three daughters what she would like as a present on his return. The first daughter wanted a brocade dress, the second a pearl necklace, but the third, whose name was Beauty, the youngest, prettiest and sweetest of them all, said to her father:"All I'd like is a rose you've picked specially for me!"When the merchant had finished his business, he set off for home. However, a sudden storm blew up, and his horse could hardly make headway in the howling gale. Cold and weary, the merchant had lost all hope of reaching an inn when he suddenly noticed a bright light shining in the middle of a wood. As he drew near, he saw that it was a castle, bathed in light."I hope I'll find shelter there for the night," he said to himself. When he reached the door, he saw it was open, but though he shouted, nobody came to greet him. Plucking up courage, he went inside, still calling out to attract attention. On a table in the main hall, a splendid dinner lay already served. The merchant lingered, still shouting for the owner of the castle. But no one came, and so the starving merchant sat down to a hearty meal.Overcome by curiosity, he ventured upstairs, where the corridor led into magnificent rooms and halls. A fire crackled in the first room and a soft bed looked very inviting. It was now late, and the merchant could not resist. He lay down on the bed and fell fast asleep. When he woke next morning, an unknown hand had placed a mug of steaming coffee and some fruit by his bedside.
The merchant had breakfast and after tidying himself up, went downstairs to thank his generous host. But, as on the evening before, there was nobody in sight. Shaking his head in wonder at the strangeness of it all, he went towards the garden where he had left his horse, tethered to a tree. Suddenly, a large rose bush caught his eye.Remembering his promise to Beauty, he bent down to pick a rose. Instantly, out of the rose garden, sprang a horrible beast, wearing splendid clothes. Two bloodshot eyes, gleaming angrily, glared at him and a deep, terrifying voice growled: "Ungrateful man! I gave you shelter, you ate at my table and slept in my own bed, but now all the thanks I get is the theft of my favorite flowers! I shall put you to death for this slight!" Trembling with fear, the merchant fell on his knees before the Beast."Forgive me! Forgive me! Don't kill me! I'll do anything you say! 

The rose wasn't for me, it was for my daughter Beauty. I promised to bring her back a rose from my journey!" The Beast dropped the paw it had clamped on the unhappy merchant."I shall spare your life, but on one condition, that you bring me your daughter!" The terror-stricken merchant, faced with certain death if he did not obey, promised that he would do so. When he reached home in tears, his three daughters ran to greet him. After he had told them of his dreadful adventure, Beauty put his mind at rest immediately."Dear father, I'd do anything for you! Don't worry, you'll be able to keep your promise and save your life! Take me to the castle. I'll stay there in your place!" The merchant hugged his daughter."I never did doubt your love for me. For the moment I can only thank you for saving my life." So Beauty was led to the castle. The Beast, however, had quite an unexpected greeting for the girl. Instead of menacing doom as it had done with her father, it was surprisingly pleasant.In the beginning, Beauty was frightened of the Beast, and shuddered at the sight of it. Then she found that, in spite of the monster's awful head, her horror of it was gradually fading as time went by. She had one of the finest rooms in the Castle, and sat for hours, embroidering in front of the fire. And the Beast would sit, for hours on end, only a short distance away, silently gazing at her. Then it started to say a few kind words, till in the end, Beauty was amazed to discover that she was actually enjoying its conversation. 
The days passed, and Beauty and the Beast became good friends. Then one day, the Beast asked the girl to be his wife.Taken by surprise, Beauty did not know what to say. Marry such an ugly monster? She would rather die! But she did not want to hurt the feelings of one who, after all, had been kind to her. And she remembered too that she owed it her own life as well as her father's."I really can't say yes," she began shakily. "I'd so much like to..." The Beast interrupted her with an abrupt gesture."I quite understand! And I'm not offended by your refusal!" Life went on as usual, and nothing further was said. One day, the Beast presented Beauty with a magnificent magic mirror. When Beauty peeped into it, she could see her family, far away."You won't feel so lonely now," were the words that accompanied the gift. Beauty stared for hours at her distant family. Then she began to feel worried. One day, the Beast found her weeping beside the magic mirror."What's wrong?" he asked, kindly as always."My father is gravely ill and close to dying! Oh, how I wish I could see him again, before it's too late!" But the Beast only shook its head."No! You will never leave this castle!" And off it stalked in a rage. However, a little later, it returned and spoke solemnly to the girl."If you swear that you will return here in seven days time, I'll let you go and visit your father!" Beauty threw herself at the Beast's feet in delight."I swear! I swear I will! How kind you are! You've made a loving daughter so happy!" In reality, the merchant had fallen ill from a broken heart at knowing his daughter was being kept prisoner. When he embraced her again, he was soon on the road to recovery. Beauty stayed beside him for hours on end, describing her life at the Castle, and explaining that the Beast was really good and kind. The days flashed past, and at last the merchant was able to leave his bed. He was completely well again. Beauty was happy at last. However, she had failed to notice that seven days had gone by.Then one night she woke from a terrible nightmare. She had dreamt that the Beast was dying and calling for her, twisting in agony."Come back! Come back to me!" it was pleading. The solemn promise she had made drove her to leave home immediately."Hurry! Hurry, good horse!" she said, whipping her steed onwards towards the castle, afraid that she might arrive too late. She rushed up the stairs, calling, but there was no reply. Her heart in her mouth, Beauty ran into the garden and there crouched the Beast, its eyes shut, as though dead. Beauty threw herself at it and hugged it tightly."Don't die! Don't die! I'll marry you . . ." At these words, a miracle took place. The Beast's ugly snout turned magically into the face of a handsome young man."How I've been longing for this moment!" he said. "I was suffering in silence, and couldn't tell my frightful secret. An evil witch turned me into a monster and only the love of a maiden willing to accept me as I was, could transform me back into my real self. My dearest! I'll be so happy if you'll marry me."The wedding took place shortly after and, from that day on, the young Prince would have nothing but roses in his gardens. And that's why, to this day, the castle is known as the Castle of the Rose.

The Monk's Tale

The Monk's tale is a collection of tragedies, designed to advise men not to trust in blind prosperity but be aware that Fortune is fickle and ever-changing.Lucifer is the first tragedy told, who fell from an angelic heaven down to Hell. Adam is next, the one man not born of original sin, who was driven from Paradise.Sampson's tale is told at greater length, explaining how he fell from grace when he admitted his secret to his wife, who betrayed it to his enemies and then took another lover. The story is that Samson slew one thousand men with an ass's jawbone, then prayed for God to quench his thirst. From the jawbone's tooth sprung a well. He would have conquered the world if he had not told Delilah that his strength came from his refusal to cut his hair. Without this strength his enemies cut out Samson's eyes and imprisoned him. In the temple where Samson was kept he knocked down two of the pillars, killing himself and everyone else in the temple.Hercules' tragedy is next. Hercules' strength was unparalleled, but he was finally defeated when Deianera sent Hercules a poisoned shirt made by Nessus.Nabugodonosor (also spelled Nebuchadnezzar), was the king of Babylon who had twice defeated Israel. The proud king constructed a large gold statue that he demanded his subjects pray to or else be cast into a pit of flames. Yet when Daniel disobeyed the king, Nebuchadnezzar lost all dignity, acting like a great beast until God relieved him of his insanity.The next tragedy is about Balthasar, the son of Nebuchadnezzar, who also worshipped false idols. He had a feast for a thousand lords in which they drank wine out of sacred vessels, but during his feast he saw an armless hand writing on a wall. Daniel warned Balthasar of his father's fate. Daniel warned him that his kingdom would be divided by Medes and the Persians. Balthasar, according to the Monk, exemplifies the way that Fortune makes friends with people before making enemies with them.Cenobia (or Zenobia), who was beautiful and victorious in war, is the next tragic hero of the tale. The queen of Palmyra refused the duties of women and refused to marry, until she was forced to wed Odenathus. She permitted him to have sex with her only so that she could get pregnant, but no more. Yet the proud woman, once Odenathus was dead, was defeated by the Romans and paraded through Rome bound in chains.King Pedro of Spain, subject of the next story, was cast from his kingdom by his brother. When attempting to regain his throne, Pedro was murdered by this brother.Peter, King of Cyprus, is the next subject; he brought ruin on his kingdom and was thus murdered.Other tragedies include Bernabo Visconti, who wrongly imprisoned his nephew. Ugolino of Pisa, a count, was imprisoned in a tower in Pisa with his three young children after Ruggieri, the bishop of Pisa, had led a rebellion against him. His youngest son died of starvation, and out of his misery Ugolini gnawed on his own arms. The two children that remained thought that Ugolini was chewing himself out of hunger, and offered themselves as meals for him. They all eventually starved. Nero did nothing but satisfy his own lusts and even cut open his own mother to see the womb from which he came. He had Seneca murdered for stating that an emperor should be virtuous. When it appeared that Nero would be assassinated for his cruelty, he killed himself. Holofernes ordered his subjects to renounce every law and worship Nebuchadnezzar. For this sin Judith cut off Holofernes' head as he was sleeping.The Monk next tells of Antiochus Epiphanes, who was punished by God for attacks on the Jews. God made Antiochus infested with loathsome maggots. The Monk then admits that most have heard of Alexander the Great, poisoned by his very own offspring. He follows with the tale of Julius Caesar, who had Pompey murdered but was himself assassinated by Brutus. The final story is of Croesus, King of Lydia, the proud and wealthy king who was hanged.All of these tales are simply re-tellings of the popularly known stories: all focus on the same theme of people of high degree falling into misery or death. Finally the Monk's Tale is interrupted.
Photo: The Monk's Tale

The Monk's tale is a collection of tragedies, designed to advise men not to trust in blind prosperity but be aware that Fortune is fickle and ever-changing.Lucifer is the first tragedy told, who fell from an angelic heaven down to Hell. Adam is next, the one man not born of original sin, who was driven from Paradise.Sampson's tale is told at greater length, explaining how he fell from grace when he admitted his secret to his wife, who betrayed it to his enemies and then took another lover. The story is that Samson slew one thousand men with an ass's jawbone, then prayed for God to quench his thirst. From the jawbone's tooth sprung a well. He would have conquered the world if he had not told Delilah that his strength came from his refusal to cut his hair. Without this strength his enemies cut out Samson's eyes and imprisoned him. In the temple where Samson was kept he knocked down two of the pillars, killing himself and everyone else in the temple.Hercules' tragedy is next. Hercules' strength was unparalleled, but he was finally defeated when Deianera sent Hercules a poisoned shirt made by Nessus.Nabugodonosor (also spelled Nebuchadnezzar), was the king of Babylon who had twice defeated Israel. The proud king constructed a large gold statue that he demanded his subjects pray to or else be cast into a pit of flames. Yet when Daniel disobeyed the king, Nebuchadnezzar lost all dignity, acting like a great beast until God relieved him of his insanity.The next tragedy is about Balthasar, the son of Nebuchadnezzar, who also worshipped false idols. He had a feast for a thousand lords in which they drank wine out of sacred vessels, but during his feast he saw an armless hand writing on a wall. Daniel warned Balthasar of his father's fate. Daniel warned him that his kingdom would be divided by Medes and the Persians. Balthasar, according to the Monk, exemplifies the way that Fortune makes friends with people before making enemies with them.Cenobia (or Zenobia), who was beautiful and victorious in war, is the next tragic hero of the tale. The queen of Palmyra refused the duties of women and refused to marry, until she was forced to wed Odenathus. She permitted him to have sex with her only so that she could get pregnant, but no more. Yet the proud woman, once Odenathus was dead, was defeated by the Romans and paraded through Rome bound in chains.King Pedro of Spain, subject of the next story, was cast from his kingdom by his brother. When attempting to regain his throne, Pedro was murdered by this brother.Peter, King of Cyprus, is the next subject; he brought ruin on his kingdom and was thus murdered.Other tragedies include Bernabo Visconti, who wrongly imprisoned his nephew. Ugolino of Pisa, a count, was imprisoned in a tower in Pisa with his three young children after Ruggieri, the bishop of Pisa, had led a rebellion against him. His youngest son died of starvation, and out of his misery Ugolini gnawed on his own arms. The two children that remained thought that Ugolini was chewing himself out of hunger, and offered themselves as meals for him. They all eventually starved. Nero did nothing but satisfy his own lusts and even cut open his own mother to see the womb from which he came. He had Seneca murdered for stating that an emperor should be virtuous. When it appeared that Nero would be assassinated for his cruelty, he killed himself. Holofernes ordered his subjects to renounce every law and worship Nebuchadnezzar. For this sin Judith cut off Holofernes' head as he was sleeping.The Monk next tells of Antiochus Epiphanes, who was punished by God for attacks on the Jews. God made Antiochus infested with loathsome maggots. The Monk then admits that most have heard of Alexander the Great, poisoned by his very own offspring. He follows with the tale of Julius Caesar, who had Pompey murdered but was himself assassinated by Brutus. The final story is of Croesus, King of Lydia, the proud and wealthy king who was hanged.All of these tales are simply re-tellings of the popularly known stories: all focus on the same theme of people of high degree falling into misery or death. Finally the Monk's Tale is interrupted.

Pride and Prejudice by Jane Austen.



Pride and Prejudice is a novel by Jane Austen, first published in 1813. The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, morality,education, and marriage in the society of thelanded gentry of early 19th-century England. Elizabeth is the second of five daughters of a country gentleman living near the fictional town of Meryton in Hertfordshire, near London.

Summary:

The news that a wealthy young gentleman named Charles Bingley has rented the manor of Netherfield Park causes a great stir in the nearby village of Longbourn, especially in the Bennet household. The Bennets have five unmarried daughters—from oldest to youngest, Jane, Elizabeth, Mary, Kitty, and Lydia—and Mrs. Bennet is desperate to see them all married. After Mr. Bennet pays a social visit to Mr. Bingley, the Bennets attend a ball at which Mr. Bingley is present. He is taken with Jane and spends much of the evening dancing with her. His close friend, Mr. Darcy, is less pleased with the evening and haughtily refuses to dance with Elizabeth, which makes everyone view him as arrogant and obnoxious.

At social functions over subsequent weeks, however, Mr. Darcy finds himself increasingly attracted to Elizabeth’s charm and intelligence. Jane’s friendship with Mr. Bingley also continues to burgeon, and Jane pays a visit to the Bingley mansion. On her journey to the house she is caught in a downpour and catches ill, forcing her to stay at Netherfield for several days. In order to tend to Jane, Elizabeth hikes through muddy fields and arrives with a spattered dress, much to the disdain of the snobbish Miss Bingley, Charles Bingley’s sister. Miss Bingley’s spite only increases when she notices that Darcy, whom she is pursuing, pays quite a bit of attention to Elizabeth.When Elizabeth and Jane return home, they find Mr. Collins visiting their household. Mr. Collins is a young clergyman who stands to inherit Mr. Bennet’s property, which has been “entailed,” meaning that it can only be passed down to male heirs. Mr. Collins is a pompous fool, though he is quite enthralled by the Bennet girls. Shortly after his arrival, he makes a proposal of marriage to Elizabeth. She turns him down, wounding his pride. Meanwhile, the Bennet girls have become friendly with militia officers stationed in a nearby town. Among them is Wickham, a handsome young soldier who is friendly toward Elizabeth and tells her how Darcy cruelly cheated him out of an inheritance.At the beginning of winter, the Bingleys and Darcy leave Netherfield and return to London, much to Jane’s dismay. A further shock arrives with the news that Mr. Collins has become engaged to Charlotte Lucas, Elizabeth’s best friend and the poor daughter of a local knight. Charlotte explains to Elizabeth that she is getting older and needs the match for financial reasons. Charlotte and Mr. Collins get married and Elizabeth promises to visit them at their new home. As winter progresses, Jane visits the city to see friends (hoping also that she might see Mr. Bingley). However, Miss Bingley visits her and behaves rudely, while Mr. Bingley fails to visit her at all. The marriage prospects for the Bennet girls appear bleak.That spring, Elizabeth visits Charlotte, who now lives near the home of Mr. Collins’s patron, Lady Catherine de Bourgh, who is also Darcy’s aunt. Darcy calls on Lady Catherine and encounters Elizabeth, whose presence leads him to make a number of visits to the Collins’s home, where she is staying. One day, he makes a shocking proposal of marriage, which Elizabeth quickly refuses. She tells Darcy that she considers him arrogant and unpleasant, then scolds him for steering Bingley away from Jane and disinheriting Wickham. Darcy leaves her but shortly thereafter delivers a letter to her. In this letter, he admits that he urged Bingley to distance himself from Jane, but claims he did so only because he thought their romance was not serious. As for Wickham, he informs Elizabeth that the young officer is a liar and that the real cause of their disagreement was Wickham’s attempt to elope with his young sister, Georgiana Darcy.This letter causes Elizabeth to reevaluate her feelings about Darcy.

No Coward Soul Is Mine BY EMILY BRONTË

No coward soul is mine
No trembler in the world's storm-troubled sphereI see Heaven's glories shine
And Faith shines equal arming me from Fear

O God within my breast
Almighty ever-present DeityLife, that in me hast rest,As I Undying Life, have power in Thee

Vain are the thousand creeds
That move men's hearts, unutterably vain,Worthless as withered weeds
Or idlest froth amid the boundless main

To waken doubt in one
Holding so fast by thy infinity,So surely anchored on
The steadfast rock of Immortality.

With wide-embracing love
Thy spirit animates eternal years
Pervades and broods above,Changes, sustains, dissolves, creates and rears

Though earth and moon were gone
And suns and universes ceased to be
And Thou wert left alone
Every Existence would exist in thee

There is not room for Death
Nor atom that his might could render void
Since thou art
Being and Breath
And what thou art may never be destroyed.
Photo: No Coward Soul Is Mine

BY EMILY BRONTË

No coward soul is mine
No trembler in the world's storm-troubled sphereI see Heaven's glories shine
And Faith shines equal arming me from Fear

O God within my breast
Almighty ever-present DeityLife, that in me hast rest,As I Undying Life, have power in Thee

Vain are the thousand creeds
That move men's hearts, unutterably vain,Worthless as withered weeds
Or idlest froth amid the boundless main

To waken doubt in one
Holding so fast by thy infinity,So surely anchored on
The steadfast rock of Immortality.

With wide-embracing love
Thy spirit animates eternal years
Pervades and broods above,Changes, sustains, dissolves, creates and rears

Though earth and moon were gone
And suns and universes ceased to be
And Thou wert left alone
Every Existence would exist in thee

There is not room for Death
Nor atom that his might could render void
Since thou art 
Being and Breath
And what thou art may never be destroyed.

The Golden Bird by The Brothers Grimm

A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.'Then the gardener's eldest son set out and thought to find the golden bird very easily; and when he had gone but a little way, he came to a wood, and by the side of the wood he saw a fox sitting; so he took his bow and made ready to shoot at it. 
Then the fox said, 'Do not shoot me, for I will give you good counsel; I know what your business is, and that you want to find the golden bird. You will reach a village in the evening; and when you get there, you will see two inns opposite to each other, one of which is very pleasant and beautiful to look at: go not in there, but rest for the night in the other, though it may appear to you to be very poor and mean.' But the son thought to himself, 'What can such a beast as this know about the matter?' So he shot his arrow at the fox; but he missed it, and it set up its tail above its back and ran into the wood. Then he went his way, and in the evening came to the village where the two inns were; and in one of these were people singing, and dancing, and feasting; but the other looked very dirty, and poor. 'I should be very silly,' said he, 'if I went to that shabby house, and left this charming place'; so he went into the smart house, and ate and drank at his ease, and forgot the bird, and his country too.Time passed on; and as the eldest son did not come back, and no tidings were heard of him, the second son set out, and the same thing happened to him. He met the fox, who gave him the good advice: but when he came to the two inns, his eldest brother was standing at the window where the merrymaking was, and called to him to come in; and he could not withstand the temptation, but went in, and forgot the golden bird and his country in the same manner.Time passed on again, and the youngest son too wished to set out into the wide world to seek for the golden bird; but his father would not listen to it for a long while, for he was very fond of his son, and was afraid that some ill luck might happen to him also, and prevent his coming back. 
However, at last it was agreed he should go, for he would not rest at home; and as he came to the wood, he met the fox, and heard the same good counsel. But he was thankful to the fox, and did not attempt his life as his brothers had done; so the fox said, 'Sit upon my tail, and you will travel faster.' So he sat down, and the fox began to run, and away they went over stock and stone so quick that their hair whistled in the wind.When they came to the village, the son followed the fox's counsel, and without looking about him went to the shabby inn and rested there all night at his ease. In the morning came the fox again and met him as he was beginning his journey, and said, 'Go straight forward, till you come to a castle, before which lie a whole troop of soldiers fast asleep and snoring: take no notice of them, but go into the castle and pass on and on till you come to a room, where the golden bird sits in a wooden cage; close by it stands a beautiful golden cage; but do not try to take the bird out of the shabby cage and put it into the handsome one, otherwise you will repent it.' Then the fox stretched out his tail again, and the young man sat himself down, and away they went over stock and stone till their hair whistled in the wind.Before the castle gate all was as the fox had said: so the son went in and found the chamber where the golden bird hung in a wooden cage, and below stood the golden cage, and the three golden apples that had been lost were lying close by it. Then thought he to himself, 'It will be a very droll thing to bring away such a fine bird in this shabby cage'; so he opened the door and took hold of it and put it into the golden cage. But the bird set up such a loud scream that all the soldiers awoke, and they took him prisoner and carried him before the king.

The next morning the court sat to judge him; and when all was heard, it sentenced him to die, unless he should bring the king the golden horse which could run as swiftly as the wind; and if he did this, he was to have the golden bird given him for his own.So he set out once more on his journey, sighing, and in great despair, when on a sudden his friend the fox met him, and said, 'You see now what has happened on account of your not listening to my counsel. I will still, however, tell you how to find the golden horse, if you will do as I bid you. You must go straight on till you come to the castle where the horse stands in his stall: by his side will lie the groom fast asleep and snoring: take away the horse quietly, but be sure to put the old leathern saddle upon him, and not the golden one that is close by it.

Biography of Mark Twain.

Christened as Samuel Langhorne Clemens, Mark Twain was born on November 30, 1835 in the small river town of Florida, Missouri, just 200 miles from Indian Territory. The sixth child of John Marshall Clemens and Jane Lampton, Twain lived in Florida, Missouri until the age of four, at which time his family relocated to Hannibal in hopes of improving their living situation.

By lineage, Twain was a Southerner, as both his parents' families hailed from Virginia. The slaveholding community of Hannibal, a river town with a population of 2000, provided a mix of rugged frontier life and the Southern tradition, a lifestyle that influenced Twain's later writings, including the Adventures of Tom Sawyer. Few black slaves actually resided in Hannibal, and the small farms on the delta were no comparison to the typical Southern plantation. In Hannibal, blacks were mostly held as household servants rather than field workers, but were still under the obligations of slavery.In his youth, Twain was a mischievous boy, the prototype of his character, Tom Sawyer. Though he was plagued by poor health in his early years, by age nine he had already learned to smoke, led a small band of pranksters, and had developed an aversion to school. Twain's formal schooling ended after age 12, because his father passed away in March of that year. He became an apprentice in a printer's shop and then worked under his brother, Orion, at the Hannibal Journal, where he quickly became saturated in the newspaper trade. Rising to the role of sub-editor, Twain indulged in the frontier humor that flourished in journalism at the time: tall tales, satirical pranks, and jokes.However, over the next few years, Twain found himself unable to save any wages and grew restless. He decided to leave Hannibal in June of 1853 and accepted a position in St. Louis. Soon afterwards, rather than settling in St. Louis, Twain proceeded to travel back and forth between New York, Philadelphia, Washington, and Iowa, working as a journalist. After his wanderings, Twain ultimately switched professions, realizing an old boyhood dream of becoming a river pilot.Under the apprenticeship of Horace Bixby, pilot of the Paul Jones, Mark Twain became a licensed river pilot at the age of 24. Earning a high salary navigating the river waters, Twain was entertained by his work, and enjoyed his traveling lifestyle. In 1861, with the beginning of the Civil War, Twain's piloting days came to an end.After returning home to Hannibal, Twain learned that military companies were being organized to assist Governor Jackson, and he enlisted as a Confederate soldier. Within a short period, he abandoned the cause, deserted the military, and along with thousands of other men avoiding the draft, moved West. On his way to Nevada, twelve years after the Gold Rush, Twain's primary intentions were to strike it rich mining for silver and gold. After realizing the impossibility of this dream, Twain once again picked up his pen and began to write.Twain joined the staff of the Virginia City Territorial Enterprise, and became an established reporter/humorist. In 1863, he adopted the pseudonym Mark Twain, derived from a river pilot term describing safe navigating conditions. In 1869 he published his first book of travel letters entitled Innocents Abroad. The book was criticized widely and discouraged Twain from pursuing a literary career. In the years that followed, Twain published various articles, made lecture circuits, and relocated between San Francisco, New York, and Missouri. During this time he also met Olivia Langdon, whom he married on February 2, 1870. In November of the same year, their first son, Langdon Clemens, was born prematurely.The Clemens family quickly fell into debt. However, when over 67,000 copies of Innocents Abroad sold within its first year, the American Publishing Company asked Twain for another book. Upon Olivia's request, the couple moved to the domicile town of Hartford, Connecticut, where Twain composedRoughing It, which documented the post-Gold Rush mining epoch and was published in 1872.In March of 1872, Twain's daughter Susan Olivia was born, and the family appeared prosperous. Unfortunately, Langdon soon came down with Diphtheria and died. Twain was torn apart by his son's death, and blamed himself. Moreover, Roughing It was only mildly successful, which added to the family's hardships.After traveling to Europe for a lecture series, Twain experienced a turning point in his career. Twain's newest novel, The Gilded Age, written in collaboration with Charles Dudley Warner, was published in 1873. The novel is about the 1800s era of corruption and exploitation at the expense of public welfare.The Gilded Age was Twain's first extended work of fiction and marked him in the literary world as an author rather than a journalist.After the broad success of The Gilded Age, Twain began a period of concentrated writing. In 1880, his third daughter, Jean, was born. By the time Twain reached age fifty, he was already considered a successful writer and businessman. His popularity sky-rocketed with the publications of The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1882), and The Adventures of Huckleberry Finn (1885). By 1885, Twain was considered one the greatest character writers in the literary community.Twain died on April 21, 1910, having survived his children Langdon, Susan and Jean as well as his wife, Olivia. In his lifetime, he became a distinguished member of the literati, and was honored by Yale, the University of Missouri, and Oxford with literary degrees. With his death, many volumes of his letters, articles, and fables were published, including: The Letters of Quintas Curtius Snodgrass(1946); Simon Wheeler, Detective (1963); The Works of Mark Twain: What is Man? and Other Philosophical Writings (1973); and Mark Twain's Notebooks and Journals (1975-79). Perhaps more than any other classic American writer, Mark Twain is seen as a phenomenal author, but also as a personality that defined an era.
Photo: Biography of Mark Twain.

Christened as Samuel Langhorne Clemens, Mark Twain was born on November 30, 1835 in the small river town of Florida, Missouri, just 200 miles from Indian Territory. The sixth child of John Marshall Clemens and Jane Lampton, Twain lived in Florida, Missouri until the age of four, at which time his family relocated to Hannibal in hopes of improving their living situation.

By lineage, Twain was a Southerner, as both his parents' families hailed from Virginia. The slaveholding community of Hannibal, a river town with a population of 2000, provided a mix of rugged frontier life and the Southern tradition, a lifestyle that influenced Twain's later writings, including the Adventures of Tom Sawyer. Few black slaves actually resided in Hannibal, and the small farms on the delta were no comparison to the typical Southern plantation. In Hannibal, blacks were mostly held as household servants rather than field workers, but were still under the obligations of slavery.In his youth, Twain was a mischievous boy, the prototype of his character, Tom Sawyer. Though he was plagued by poor health in his early years, by age nine he had already learned to smoke, led a small band of pranksters, and had developed an aversion to school. Twain's formal schooling ended after age 12, because his father passed away in March of that year. He became an apprentice in a printer's shop and then worked under his brother, Orion, at the Hannibal Journal, where he quickly became saturated in the newspaper trade. Rising to the role of sub-editor, Twain indulged in the frontier humor that flourished in journalism at the time: tall tales, satirical pranks, and jokes.However, over the next few years, Twain found himself unable to save any wages and grew restless. He decided to leave Hannibal in June of 1853 and accepted a position in St. Louis. Soon afterwards, rather than settling in St. Louis, Twain proceeded to travel back and forth between New York, Philadelphia, Washington, and Iowa, working as a journalist. After his wanderings, Twain ultimately switched professions, realizing an old boyhood dream of becoming a river pilot.Under the apprenticeship of Horace Bixby, pilot of the Paul Jones, Mark Twain became a licensed river pilot at the age of 24. Earning a high salary navigating the river waters, Twain was entertained by his work, and enjoyed his traveling lifestyle. In 1861, with the beginning of the Civil War, Twain's piloting days came to an end.After returning home to Hannibal, Twain learned that military companies were being organized to assist Governor Jackson, and he enlisted as a Confederate soldier. Within a short period, he abandoned the cause, deserted the military, and along with thousands of other men avoiding the draft, moved West. On his way to Nevada, twelve years after the Gold Rush, Twain's primary intentions were to strike it rich mining for silver and gold. After realizing the impossibility of this dream, Twain once again picked up his pen and began to write.Twain joined the staff of the Virginia City Territorial Enterprise, and became an established reporter/humorist. In 1863, he adopted the pseudonym Mark Twain, derived from a river pilot term describing safe navigating conditions. In 1869 he published his first book of travel letters entitled Innocents Abroad. The book was criticized widely and discouraged Twain from pursuing a literary career. In the years that followed, Twain published various articles, made lecture circuits, and relocated between San Francisco, New York, and Missouri. During this time he also met Olivia Langdon, whom he married on February 2, 1870. In November of the same year, their first son, Langdon Clemens, was born prematurely.The Clemens family quickly fell into debt. However, when over 67,000 copies of Innocents Abroad sold within its first year, the American Publishing Company asked Twain for another book. Upon Olivia's request, the couple moved to the domicile town of Hartford, Connecticut, where Twain composedRoughing It, which documented the post-Gold Rush mining epoch and was published in 1872.In March of 1872, Twain's daughter Susan Olivia was born, and the family appeared prosperous. Unfortunately, Langdon soon came down with Diphtheria and died. Twain was torn apart by his son's death, and blamed himself. Moreover, Roughing It was only mildly successful, which added to the family's hardships.After traveling to Europe for a lecture series, Twain experienced a turning point in his career. Twain's newest novel, The Gilded Age, written in collaboration with Charles Dudley Warner, was published in 1873. The novel is about the 1800s era of corruption and exploitation at the expense of public welfare.The Gilded Age was Twain's first extended work of fiction and marked him in the literary world as an author rather than a journalist.After the broad success of The Gilded Age, Twain began a period of concentrated writing. In 1880, his third daughter, Jean, was born. By the time Twain reached age fifty, he was already considered a successful writer and businessman. His popularity sky-rocketed with the publications of The Adventures of Tom Sawyer (1876), The Prince and the Pauper (1882), and The Adventures of Huckleberry Finn (1885). By 1885, Twain was considered one the greatest character writers in the literary community.Twain died on April 21, 1910, having survived his children Langdon, Susan and Jean as well as his wife, Olivia. In his lifetime, he became a distinguished member of the literati, and was honored by Yale, the University of Missouri, and Oxford with literary degrees. With his death, many volumes of his letters, articles, and fables were published, including: The Letters of Quintas Curtius Snodgrass(1946); Simon Wheeler, Detective (1963); The Works of Mark Twain: What is Man? and Other Philosophical Writings (1973); and Mark Twain's Notebooks and Journals (1975-79). Perhaps more than any other classic American writer, Mark Twain is seen as a phenomenal author, but also as a personality that defined an era.

She is Far from the Land by Thomas Moore

She is far from the land, where her young hero sleeps,
And lovers are round her, sighing;
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying!

She sings the wild song of her dear native plains,
Every note which he lov'd awaking
Ah! little they think, who delight in her strains,
How the heart of the Minstrel is breaking!

He had lov'd for his love, for his country he died,
They were all that to life had entwin'd him,
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.

Oh! make her a grave, where the sun-beams rest,
When they promise a glorious morrow;
They'll shine o'er her sleep, like a smile from the West,
From her own lov'd Island of sorrow!
Photo: She is Far from the Land  by Thomas Moore

She is far from the land, where her young hero sleeps, 
And lovers are round her, sighing; 
But coldly she turns from their gaze, and weeps, 
For her heart in his grave is lying! 

She sings the wild song of her dear native plains, 
Every note which he lov'd awaking
Ah! little they think, who delight in her strains, 
How the heart of the Minstrel is breaking! 

He had lov'd for his love, for his country he died, 
They were all that to life had entwin'd him,
Nor soon shall the tears of his country be dried, 
Nor long will his love stay behind him. 

Oh! make her a grave, where the sun-beams rest, 
When they promise a glorious morrow; 
They'll shine o'er her sleep, like a smile from the West, 
From her own lov'd Island of sorrow!

Monday, 23 September 2013

Annabel Lee by Edgar Allan Poe

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.

The Twelve Dancing Princesses by Brothers Grimm.

 There was a king who had twelve beautiful daughters. They slept in twelve beds all in one room and when they went to bed, the doors were shut and locked up. However, every morning their shoes were found to be quite worn through as if they had been danced in all night. Nobody could find out how it happened, or where the princesses had been.
So the king made it known to all the land that if any person could discover the secret and find out where it was that the princesses danced in the night, he would have the one he liked best to take as his wife, and would be king after his death. But whoever tried and did not succeed, after three days and nights, they would be put to death.
A king's son soon came. He was well entertained, and in the evening was taken to the chamber next to the one where the princesses lay in their twelve beds. There he was to sit and watch where they went to dance; and, in order that nothing could happen without him hearing it, the door of his chamber was left open. But the king's son soon fell asleep; and when he awoke in the morning he found that the princesses had all been dancing, for the soles of their shoes were full of holes. The same thing happened the second and third night and so the king ordered his head to be cut off.
After him came several others; but they all had the same luck, and all lost their lives in the same way.
Now it happened that an old soldier, who had been wounded in battle and could fight no longer, passed through the country where this king reigned, and as he was travelling through a wood, he met an old woman, who asked him where he was going. 'I hardly know where I am going, or what I had better do,' said the soldier; 'but I think I would like to find out where it is that the princesses dance, and then in time I might be a king.'


'Well,' said the old woman, 'that is not a very hard task: only take care not to drink any of the wine which one of the princesses will bring to you in the evening; and as soon as she leaves you pretend to be fast asleep.'
Then she gave him a cloak, and said, 'As soon as you put that on you will become invisible, and you will then be able to follow the princesses wherever they go.' When the soldier heard all this good advice, he was determined to try his luck, so he went to the king, and said he was willing to undertake the task.
He was as well received as the others had been, and the king ordered fine royal robes to be given him; and when the evening came he was led to the outer chamber.
Just as he was going to lie down, the eldest of the princesses brought him a cup of wine; but the soldier threw it all away secretly, taking care not to drink a drop. Then he laid himself down on his bed, and in a little while began to snore very loudly as if he was fast asleep.
When the twelve princesses heard this they laughed heartily; and the eldest said, 'This fellow too might have done a wiser thing than lose his life in this way!' Then they rose and opened their drawers and boxes, and took out all their fine clothes, and dressed themselves at the mirror, and skipped about as if they were eager to begin dancing.

Tuesday, 17 September 2013

Biography of Robert Browning

Henry James wrote of Robert Browning, in relation to the poet's burial at Canterbury: "None of the odd ones have been so great and none of the great ones so odd." One of the most enduring Victorian poets, Browning is renowned for both his virtuosity of language and eccentricity of subjects. His sense of psychology precedes Freud, and his refusal to commit to any prevailing worldview marks him as a precursor to modernist thought.

Robert Browning was born on May 7, 1812. Due to both his natural brilliance and the support of an educated father, he accomplished himself as a writer, scholar and musician early in life. He realized his calling as a poet when he was introduced to the work of P.B. Shelley. From Shelley, Browning developed the Romantic ideal, which sought to find transcendence through exploration of the individual's sensibility. Though he would later renounce it in favor of what he saw as a more sophisticated approach, Browning's early life and work was largely defined by this sensibility.

Browning's attempts at education proved unsuccessful; he tried several vocations and dropped out of university several times. His first published work, Pauline, was a great success in 1833. But his subsequent publication, a long, difficult poem called Sordello, was a great failure. It was the first time he would be labeled difficult and obscure, a charge that would haunt his reputation and his work for most of his life. His subsequent foray into writing stage plays saw brief success but ultimately led to him being criticized as unfit for the dramatic form because of his lyrical flourishes and overly intellectual approach.

He continued to publish – next through a series known as Bells and Pomegranates – to middling success, even though he was beginning to establish the dramatic monologue form that would ensure his legacy. This form uses a narrator, usually of dubious morality, who addresses someone in a high-stakes situation. His most famous works were written in this form, including "Porphyria's Lover" and "My Last Duchess." These works helped cement his interest in psychological complexity and the human tendency to constantly shift perspectives and opinions.

Browning's life greatly improved when, in 1845, he fell in love with poet Elizabeth Barrett through her work and began to visit her. Elizabeth was a long-time invalid who lived secluded in her London home under an extremely over-protective father, all circumstances that meant the two had to elope in order to marry; they were disowned by Mr. Barrett. Nevertheless, the poets lived a happy life together, mostly in Italy, where they had a son named Pen. In 1855, Browning published a collection called Men and Women, which contains most of his best known poems but was again only a modest success, especially when compared to Elizabeth's work, which was quite popular.

After Elizabeth died in 1861, a distraught Browning moved back to London, where he would finally achieve the success that had long eluded him. He published other collections like Dramatis Personae, but it was his long work The Ring and the Book that finally made him famous. His subsequent poetry, much of it long-form, continued to expand his fame in later years, to the point that a Browning Society was formed and he became a celebrity known for dining out in fashionable spots. At the time Browning died in 1889, he was perhaps the most famous poet in England next to William Wordsworth, and his legacy has only improved since that time.
Photo: Biography of Robert Browning 

Henry James wrote of Robert Browning, in relation to the poet's burial at Canterbury: "None of the odd ones have been so great and none of the great ones so odd." One of the most enduring Victorian poets, Browning is renowned for both his virtuosity of language and eccentricity of subjects. His sense of psychology precedes Freud, and his refusal to commit to any prevailing worldview marks him as a precursor to modernist thought.

Robert Browning was born on May 7, 1812. Due to both his natural brilliance and the support of an educated father, he accomplished himself as a writer, scholar and musician early in life. He realized his calling as a poet when he was introduced to the work of P.B. Shelley. From Shelley, Browning developed the Romantic ideal, which sought to find transcendence through exploration of the individual's sensibility. Though he would later renounce it in favor of what he saw as a more sophisticated approach, Browning's early life and work was largely defined by this sensibility.

Browning's attempts at education proved unsuccessful; he tried several vocations and dropped out of university several times. His first published work, Pauline, was a great success in 1833. But his subsequent publication, a long, difficult poem called Sordello, was a great failure. It was the first time he would be labeled difficult and obscure, a charge that would haunt his reputation and his work for most of his life. His subsequent foray into writing stage plays saw brief success but ultimately led to him being criticized as unfit for the dramatic form because of his lyrical flourishes and overly intellectual approach.

He continued to publish – next through a series known as Bells and Pomegranates – to middling success, even though he was beginning to establish the dramatic monologue form that would ensure his legacy. This form uses a narrator, usually of dubious morality, who addresses someone in a high-stakes situation. His most famous works were written in this form, including "Porphyria's Lover" and "My Last Duchess." These works helped cement his interest in psychological complexity and the human tendency to constantly shift perspectives and opinions.

Browning's life greatly improved when, in 1845, he fell in love with poet Elizabeth Barrett through her work and began to visit her. Elizabeth was a long-time invalid who lived secluded in her London home under an extremely over-protective father, all circumstances that meant the two had to elope in order to marry; they were disowned by Mr. Barrett. Nevertheless, the poets lived a happy life together, mostly in Italy, where they had a son named Pen. In 1855, Browning published a collection called Men and Women, which contains most of his best known poems but was again only a modest success, especially when compared to Elizabeth's work, which was quite popular.

After Elizabeth died in 1861, a distraught Browning moved back to London, where he would finally achieve the success that had long eluded him. He published other collections like Dramatis Personae, but it was his long work The Ring and the Book that finally made him famous. His subsequent poetry, much of it long-form, continued to expand his fame in later years, to the point that a Browning Society was formed and he became a celebrity known for dining out in fashionable spots. At the time Browning died in 1889, he was perhaps the most famous poet in England next to William Wordsworth, and his legacy has only improved since that time.

Monday, 16 September 2013

The Emperor's New Clothes by Hans Christian Andersen.

Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, "he is sitting in council," it was always said of him, "The Emperor is sitting in his wardrobe."Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character."These must, indeed, be splendid clothes!" thought the Emperor. "Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately." And he caused large sums of money to be given to both the weavers in order that they might begin their work directly.So the two pretended weavers set up two looms, and affected to work very busily, though in reality they did nothing at all. They asked for the most delicate silk and the purest gold thread; put both into their own knapsacks; and then continued their pretended work at the empty looms until late at night."I should like to know how the weavers are getting on with my cloth," said the Emperor to himself, after some little time had elapsed; he was, however, rather embarrassed, when he remembered that a simpleton, or one unfit for his office, would be unable to see the manufacture.

 To be sure, he thought he had nothing to risk in his own person; but yet, he would prefer sending somebody else, to bring him intelligence about the weavers, and their work, before he troubled himself in the affair. All the people throughout the city had heard of the wonderful property the cloth was to possess; and all were anxious to learn how wise, or how ignorant, their neighbors might prove to be."I will send my faithful old minister to the weavers," said the Emperor at last, after some deliberation, "he will be best able to see how the cloth looks; for he is a man of sense, and no one can be more suitable for his office than be is."So the faithful old minister went into the hall, where the knaves were working with all their might, at their empty looms.

Paolo and Francesca - the love story that inspired the statue of The Kiss by Rodin. By Angie Jardine.

Who were Paolo and Francesca?

Paolo and Francesca were illicit lovers in 13th century Italy and they have left us a love story that, like all good love stories, ends in tragedy.Paolo Malatestawas the third son of the lord of Rimini, Malatesta da Verrucchio and accounts of his personality vary. He was deemed by some to be a romantic sort, a man not really interested in the world around him but there is evidence that he was indeed involved enough with the politics of the day to lend his sword arm in support of his father and his allies when needed. What is beyond dispute is that he was a handsome man with a winning nature. He was also married with children.Francesca da Polenta (later Francesca da Rimini) was the beautiful young daughter of Guido I, lord of Ravenna and as such she was a valuable diplomatic pawn in the power games of Italian noblemen of the 13th century.

Marriage by trickery ...

When Guido I eventually found it expedient to make peace with his enemy, Malatesta da Verucchio, Paolo's father, he decided to seal the deal by marrying his daughter, Francesca, off to one of Malatesta's sons as a cunning political tie.
Unfortunately his choice of husband had to be Malatesta's eldest son, Giovanni (aka Gianciotto), who has been variously described as uncouth and deformed or crippled. This has come down to us via his nickname, lo Sciancato, which can mean crippled or lame. It may simply be that he had a slight limp as his condition did not seem to impair his ability to be a fearless soldier on behalf of his father.Whichever was the case Guido was perceptive enough to realise that his romantic young daughter would not welcome such a man as her husband so the handsome Paolo was invited to stand proxy for his brother at the wedding. Unfortunately it would appear that no-one told Francesca that Paolo was only the proxy ...

Waking up to the ugly truth.

Francesca had fallen instantly in love with the dashing Paolo and must have thought herself the luckiest girl in the world so we can only imagine her feelings of horror when she awoke on the morning after her wedding night to find herself lying beside the 'deformed' Giovanni instead. Presumably it had been possible for the brothers to switch places in the darkened bedroom and the innocent Francesca had been cruelly duped.But surely there are other emotional casualties here? How must Giovanni have felt when he saw his new wife's repulsion at the sight of him? How hurtful her rejection of him must have been as it is thought that he did, in fact, love Francesca very much. And what about Paolo? Even though he knew he was only the proxy for Giovanni, how did he actually feel at having to collude in this trickery and hand the beautiful Francesca over to his older brother? He may have already been a married man but when has that ever stopped men wanting women who should have been unattainable?

Paolo makes his move.

Conversely, we can never know if Paolo really loved Francesca. In the time-honoured way of the typical Italian male it could be that his brother's wife represented a challenge he simply could not resist. But history tells us that they did indeed become lovers and that Francesca's husband, Giovanni, almost caught them in the act.
The lovers discovered ...

Whatever the truth of this love affair Giovanni did not stop to ask questions. It is recorded that he found his wife's bedroom door locked and demanded to be admitted. He had been told of the affair by his servant and was determined to catch the lovers in flagrante. Paolo leapt towards a trapdoor in the floor as Francesca went to open the door and make her excuses for locking it.
However as she went to unlock the bedroom door she omitted to check that Paolo had actually got clean away and closed the trapdoor behind him. Unfortunately his jacket had caught on the catch and he had been unable to free himself.



As soon as Giovanni came through the door he saw Paolo and ran at him with his rapier, despite the fact that it was his brother he was about to kill. Francesca in a frenzy to save her lover threw herself in front of Giovanni's sword and was fatally stabbed. Giovanni in his despair at inadvertently killing the woman he loved, withdrew his sword from her chest and then ran Paolo through with it, killing him instantly. It is said that the lovers were buried together.Giovanni was never held accountable. Presumably such a crime of passion was thought excusable at that time. He had been cuckolded and had endured intolerable dishonour and his reaction was perhaps deemed acceptable; either that or he was too powerful to be prosecuted.He went on to capture Pesaro and lived there as its highest official until he died in 1304 ... 19 years after he had murdered his wife and his brother.

A love immortalised in word and stone.

But the love story of Paolo and Francesca was far from forgotten.The poet, Dante Alighieri, a contemporary of Paolo and Francesca, took their story and wove it into his famous poem, Divine Comedy. Although it is not know whether or not Dante actually knew them personally their tragedy had certainly caught his imagination.In Canto V of the Inferno (Hell) section, Dante, accompanied by the Roman poet, Virgil, meets the spirits of Paolo and Francesca as they are swept about by eternal winds, punished forever for their sin of uncontrollable lust.Dante seemed to want to mitigate the blame for their crime somewhat so he originates the story that the couple were influenced by the reading of the adulterous romance of Lancelot and Guinevere. A compassionate thought but it is unlikely that they needed any such encouragement. Love, infatuation, lust is universal and usually just too overwhelming for most humans.

The Bremen Town Musicians by the Brothers Grim.

There once was a man who had a donkey which had carried his sacks to the mill
unflaggingly for many long years but was now getting old and weak so that he was
becoming more and more unfit for work.
The donkey's master was considering whether to
stop feeding him but the donkey noticed that
there was an ill wind blowing and ran away, setting off for Bremen where he thought he
could become a town musician.
When he had covered a short distance he came across a hunting dog lying on the road,
yapping like someone who has run himself into the ground. "Well, why are you yapping so, old snarler?" asked the donkey. "Ah", said
the dog, "because I am so old and getting weaker every day and can't go hunting any
more, my master wanted to kill me but then I took to my heels. But how shall I now earn my living?" "You know what", said the donkey, "I am going to Bremen to become a
town musician. Go with me and take up music too. I shall play the lute and you can
beat the drums." The dog was happy with this and they went on together.
Before long they came across a cat sitting at the roadside with a face as long as a fiddle.
"Well now, what has crossed you, old whisker-face?" said the donkey. "How can I
be happy when I am in for it", replied the cat, "just because I am getting on in years, my
teeth are getting blunt and I prefer to sit and muse in front of the fire than to chase around after mice, my mistress wanted to drown me;
I managed to get away but now I am really in a fix. Where shall I go?" "Go with us to
Bremen. You are good at making music at night; you can become a town musican." The cat thought this was a good idea and went
with the others. The three fugitives went past a farmyard
where a farm cock was sitting on the gateband crowing with all its might. "Your crowing
goes right through us", said the donkey, "what's up?" "I prophesied good weather"
said the cock, "because it's the day of our Blessed Lady, on which she washed the littlebshirt of Baby Jesus and puts it out to dry; but because it is Sunday tomorrow and
guests are coming, the housewife has no pity
and has told the cook to put me in the soup tomorrow; and she's coming to cut off my
head tonight. So now I'm crowing as hard
and as long as I can." "Come on, old redhead", said the donkey, "come along with
us instead, we are going to Bremen. Anything is better than waiting here to die; you have a good voice and when we play music together
there will surely be a place for you." The cock was pleased by this suggestion and all four of them went on together.
But they couldn't reach the city of Bremen in one day and they came to a wood where theybdecided to spend the night.


The donkey and the dog lay down under a large tree; the cat and the cock went up into the branches but the cock flew up to the top of the tree where he felt the safest. Before he fell asleep he
looked around in the direction of all four winds and thought he saw a little light
shining in the distance; so he called to his friends that there must be a house not so far
away since he could see a light shining. Then the donkey said, "We had better go over there for the accommodation here is pretty bad."
The dog said he could also do with a fewnbones with a little meat on them. So they set
off in the direction of the light and soon it got brighter and larger until they came to a
brightly lit robbers' house. Being the largest of the four, the donkey approached the
window and looked inside. "What can you see, old grey nag?" asked the cock. "What
can I see?" answered the donkey. "A tablelaid with lovely things to eat and drink, with a band of robbers sitting around and having a good time." "Why can't we do the same", said the cock. "Ooh yes, if only we could be
there!" said the donkey. The animals conferred amongst themselvers about how
they could chase away the robbers and finally they hit on an idea. The donkey would
put his front hooves on the window ledge, the dog would jump on the donkey's back, the cat would climb on the dog and the cock would fly up and sit on the cat's head. So
they all did this and, at a signal, they began to play their music: the donkey brayed, the
dog barked, the cat miaowed and the cock crew.
Then fell through the window into the room, shattering the window-pane as they went. The robbers jumped out of their skins

The valiant little tailor Fairy tale by The Brothers Grimm



One summer's morning a little tailor was sitting on his table by the window; he was in good spirits, and sewed with all his might. Then came a peasant woman down the street crying: 'Good jams, cheap! Good jams, cheap!' This rang pleasantly in the tailor's ears; he stretched his delicate head out of the window, and called: 'Come up here, dear woman; here you will get rid of your goods.' The woman came up the three steps to the tailor with her heavy basket, and he made her unpack all the pots for him. He inspected each one, lifted it up, put his nose to it, and at length said: 'The jam seems to me to be good, so weigh me out four ounces, dear woman, and if it is a quarter of a pound that is of no consequence.' The woman who had hoped to find a good sale, gave him what he desired, but went away quite angry and grumbling. 'Now, this jam shall be blessed by God,' cried the little tailor, 'and give me health and strength'; so he brought the bread out of the cupboard, cut himself a piece right across the loaf and spread the jam over it. 'This won't taste bitter,' said he, 'but I will just finish the jacket before I take a bite.' He laid the bread near him, sewed on, and in his joy, made bigger and bigger stitches. In the meantime the smell of the sweet jam rose to where the flies were sitting in great numbers, and they were attracted and descended on it in hosts. 'Hi! who invited you?' said the little tailor, and drove the unbidden guests away. The flies, however, who understood no German, would not be turned away, but came back again in ever-increasing companies. The little tailor at last lost all patience, and drew a piece of cloth from the hole under his work-table, and saying: 'Wait, and I will give it to you,' struck it mercilessly on them. When he drew it away and counted, there lay before him no fewer than seven, dead and with legs stretched out. 'Are you a fellow of that sort?' said he, and could not help admiring his own bravery. 'The whole town shall know of this!' And the little tailor hastened to cut himself a girdle, stitched it, and embroidered on it in large letters: 'Seven at one stroke!' 'What, the town!' he continued, 'the whole world shall hear of it!' and his heart wagged with joy like a lamb's tail. The tailor put on the girdle, and resolved to go forth into the world, because he thought his workshop was too small for his valour. Before he went away, he sought about in the house to see if there was anything which he could take with him; however, he found nothing but an old cheese, and that he put in his pocket. In front of the door he observed a bird which had caught itself in the thicket. It had to go into his pocket with the cheese. Now he took to the road boldly, and as he was light and nimble, he felt no fatigue. The road led him up a mountain, and when he had reached the highest point of it, there sat a powerful giant looking peacefully about him. The little tailor went bravely up, spoke to him, and said: 'Good day, comrade, so you are sitting there overlooking the wide-spread world! I am just on my way thither, and want to try my luck. Have you any inclination to go with me?' The giant looked contemptuously at the tailor, and said: 'You ragamuffin! You miserable creature!'



'Oh, indeed?' answered the little tailor, and unbuttoned his coat, and showed the giant the girdle, 'there may you read what kind of a man I am!' The giant read: 'Seven at one stroke,' and thought that they had been men whom the tailor had killed, and began to feel a little respect for the tiny fellow. Nevertheless, he wished to try him first, and took a stone in his hand and squeezed it together so that water dropped out of it. 'Do that likewise,' said the giant, 'if you have strength.' 'Is that all?' said the tailor, 'that is child's play with us!' and put his hand into his pocket, brought out the soft cheese, and pressed it until the liquid ran out of it. 'Faith,' said he, 'that was a little better, wasn't it?' The giant did not know what to say, and could not believe it of the little man. Then the giant picked up a stone and threw it so high that the eye could scarcely follow it. 'Now, little mite of a man, do that likewise,' 'Well thrown,' said the tailor, 'but after all the stone came down to earth again; I will throw you one which shall never come back at all,' and he put his hand into his pocket, took out the bird, and threw it into the air. The bird, delighted with its liberty, rose, flew away and did not come back. 'How does that shot please you, comrade?' asked the tailor. 'You can certainly throw,' said the giant, 'but now we will see if you are able to carry anything properly.' He took the little tailor to a mighty oak tree which lay there felled on the ground, and said: 'If you are strong enough, help me to carry the tree out of the forest.' 'Readily,' answered the little man; 'take you the trunk on your shoulders, and I will raise up the branches and twigs; after all, they are the heaviest.' The giant took the trunk on his shoulder, but the tailor seated himself on a branch, and the giant, who could not look round, had to carry away the whole tree, and the little tailor into the bargain: he behind, was quite merry and happy, and whistled the song: 'Three tailors rode forth from the gate,' as if carrying the tree were child's play. The giant, after he had dragged the heavy burden part of the way, could go no further, and cried: 'Hark you, I shall have to let the tree fall!' The tailor sprang nimbly down, seized the tree with both arms as if he had been carrying it, and said to the giant: 'You are such a great fellow, and yet cannot even carry the tree!'

Saturday, 7 September 2013

The Clerk's Tale

The Host remarks that the Clerk of Oxford sits as coyly and quietly as a new-married bride, and tells him to be more cheerful: “Telle us som myrie tale!” (“tell us a merry tale”). The Host continues to argue that, when someone is entered into a game, they have to play by the rules of that game; and adds that he doesn’t want a tale told in “heigh style”, but spoken “pleyn".
The Clerk replies kindly that the Host has the “governance” over the company (is “in charge” of the company) and says that he will tell a tale which he learned from a worthy clerk, Francis Petrarch, who is now dead and nailed into his coffin. He then praises the renowned Petrarch for his sweet rhetoric and poetry; though warns the company, before he begins, that Petrarch wrote a poem in a “high style” exalting the Italian landscape.

The Clerk's Tale

The tale begins with the description of Saluzzo, a region at the base of Mount Viso in Italy. There was once a marquis of this region namedWalter. He was wise, noble and honorable, but his mind was always on seeking immediate pleasures – turning aside more worthy pastime, and even refusing to marry.The people of his realm confronted him about his steadfast refusal, pleading with him to take a wife, so that his lineage could continue (and so that his son could continue his work in the event of his death). They offer to choose for him the most noble woman in the realm for his wife. He agrees to marry, but makes this one condition: he will marry whomever he chooses, regardless of birth, and his wife shall be treated with the respect accorded to an emperor's daughter, no matter her origin.He set the day on which he would be married; his people thanked him on their knees, and returned home.

Not far from the marquis’ honorable palace, among the poor people, lived a man named Janicula, who had a daughter Griselde, who was exceedingly virtuous, courageous and charitable. While hunting, the marquis caught sight of Griselde and, recognizing her virtue, immediately decided that this exemplary woman should be his wife.On the day of the wedding, Walter had not revealed to the public the woman he would marry, and the populace wondered whether he might, in fact, not marry at all. Walter had, however, already prepared rich garments and jewelery in Griselde’s size. That morning, the marquis came to Janicula’s home and asked him for his permission to marry his daughter. Janicula was so astonished, he turned red, and could not speak – but did manage eventually to assent to the marriage.Walter, however, wanted Griselde herself to assent before he married her, and, the two men went into her chamber. Walter asked her hand in marriage, and asked her to to be ready to do whatever he said, whenever he said it, but never to resent him; if she agreed to this, he said, he would swear to marry her. Griselde swore never to disobey him – and he took her outside to introduce her to his populace as his new wife.The marquis' servants took Griselde and dressed her in all new, expensive clothes for the wedding; she appeared as if she had been born as nobility, not from her actual humble origin. Her virtue and excellence became renowned throughout Saluzzo, and in many other regions, for she was essentially a perfect wife – she appeared as “from hevene sent”. Soon she gave birth to a baby girl, although she would have preferred a son to be his father's heir.



Soon after his daughter was born, the marquis decided to test his wife. The narrator, at this stage, explicitly expresses doubt about why the marquis would test his wife: “as for me” he says, I think it sits “yvele” (“evilly”) “to assaye a wyf whan that it is no need” (“to test a wife when there is no need to”).The marquis told her that although she was dear to him, to the rest of the nobility she was not. They, he said, objected to her new daughter, and wanted her to be taken away from Griselde and put to death. Griselde received this news without grievance, and answered that she and her child would do anything that pleased her husband. Rather than putting the child to death (though allowing Griselde to believe her child was dead), the marquis instead sent the child away with one of his sergeants to be raised by his sister, the husband of the Earl of Panago, in Bologna. Walter did pity his wife, who remained steadfast and dedicated to him, silently accepting her fate and that of her child whom she believed dead. Griselde never spoke of her daughter, nor even mentioned her name.

MAN'S FLAW (Poem) By Olawale Lauck

Some have slain-ed courtesy and respect
They'll learn more in their lone mansion
Darkness abode, thy kingdom of insect.
Adam's breed living as they own Earth
 . 
They foolishly cushion, we're on lengthy sojourn.
E'though mortals are bound to fail
As nemesis is the breath thee inhale
But some are to fail on success journey
And woes to not trying man but yet failed.

Everyman go for something as they hailed
But their weakness is hot-pursuit of money,
Like a Lion chasing shielded Tortoise.
The brainy little one now controlling the heinous.

The Old Witch by Joseph Jacobs

ONCE upon a time there were two girls who lived with their mother and father. Their father had no work, and the girls wanted to go away and seek their fortunes. Now one girl wanted to go to service, and her mother said she might if she could find a place. So she started for the town. Well, she went all about the town, but no one wanted a girl like her. So she went on farther into the country, and she came to the place where there was an oven where there was lots of bread baking. And the bread said, 'Little girl, little girl, take us out, take us out. We have been baking seven years, and no one has come to take us out.' So the girl took out the bread, laid it on the ground and went on her way. Then she met a cow, and the cow said, 'Little girl, little girl, milk me, milk me! Seven years have I been waiting, and no one has come to milk me.' The girl milked the cow into the pails that stood by. As she was thirsty she drank some, and left the rest in the pails by the cow. Then she went on a little farther, and came to an apple-tree, so loaded with fruit that its branches were breaking down, and the tree said, 'Little girl, little girl, help me shake my fruit. My branches are breaking, it is so heavy.' And the girl said, 'Of course I will, you poor tree.' So she shook the fruit all off, propped up the branches, and left the fruit on the ground under the tree. Then she went on again till she came to a house. Now in this house there lived a witch, and this witch took girls into her house as servants. And when she heard that this girl had left her home to seek service, she said that she would try her, and give her good wages. The witch told the girl what work she was to do. 'You must keep the house clean and tidy, sweep the floor and the fireplace; but there is one thing you must never do. You must never look up the chimney, or something bad will befall you.'So the girl promised to do as she was told, but one morning as she was cleaning, and the witch was out, she forgot what the witch said, and looked up the chimney. When she did this a great bag of money fell down in her lap. This happened again and again. So the girl started to go off home.When she had gone some way she heard the witch coming after her. So she ran to the apple-tree and cried:


'Apple-tree, apple-tree, hide me,
So the old witch can't find me;
If she does she'll pick my bones,
And bury me under the marble stones.'
So the apple-tree hid her. When the witch came up she said:

Friday, 6 September 2013

Mimesis


Photo: Mimesis

Mimesis is a criticaland philosophical term that carries a wide range of meanings, which include imitation,representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model forbeauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been reinterpreted many times since then.

 Plato’s Theory of Mimesis and Aristotle’s Defense

In his theory of Mimesis, Plato says that all art is mimetic by nature; art is an imitation of life. He believed that ‘idea’ is the ultimate reality. Art imitates idea and so it is imitation of reality. He gives an example of a carpenter and a chair. The idea of ‘chair’ first came in the mind of carpenter. He gave physical shape to his idea out of wood and created a chair. The painter imitated the chair of the carpenter in his picture of chair. Thus, painter’s chair is twice removed from reality. Hence, he believed that art is twice removed from reality. He gives first importance to philosophy as philosophy deals with the ideas whereas poetry deals with illusion – things which are twice removed from reality. So to Plato, philosophy is superior to poetry. Plato rejected poetry as it is mimetic in nature on the moral and philosophical grounds. On the contrary, Aristotle advocated poetry as it is mimetic in nature. According to him, poetry is an imitation of an action and his tool of enquiry is neither philosophical nor moral. He examines poetry as a piece of art and not as a book of preaching or teaching.

Aristotle's Reply to Plato's Objection

Aristotle replied to the charges made by his Guru Plato against poetry in particular and art in general. He replied to them one by one in his defence of poetry.1. Plato says that art being the imitation of the actual is removed from the Truth. It only gives the likeness of a thing in concrete, and the likeness is always less than real. But Plato fails to explain that art also gives something more which is absent in the actual. The artist does not simply reflect the real in the manner of a mirror. Art cannot be slavish imitation of reality. Literature is not the exact reproduction of life in all its totality. It is the representation of selected events and characters necessary in a coherent action for the realization of the artist’s purpose. He even exalts, idealizes and imaginatively recreates a world which has its own meaning and beauty. These elements, present in art, are absent in the raw and rough real. While a poet creates something less than reality he at the same times creates something more as well. He puts an idea of the reality which he perceives in an object. This ‘more’, this intuition and perception, is the aim of the artist. Artistic creation cannot be fairly criticized on the ground that it is not the creation in concrete terms of things and beings. Thus considered, it does not take us away from the Truth but leads us to the essential reality of life.2. Plato again says that art is bad because it does not inspire virtue, does not teach morality. But is teaching the function of art? Is it the aim of the artist? The function of art is to provide aesthetic delight, communicate experience, express emotions and represent life. It should never be confused with the function of ethics which is simply to teach morality. If an artist succeeds in pleasing us in the aesthetic sense, he is a good artist. If he fails in doing so, he is a bad artist. There is no other criterion to judge his worth. R.A.Scott -James observes: “Morality teaches. Art does not attempt to teach. It merely asserts it is thus or thus that life is perceived to be. That is my bit of reality, says the artist. Take it or leave it – draw any lessons you like from it – that is my account of things as they are – if it has any value to you as evidence of teaching, use it, but that is not my business: I have given you my rendering, my account, my vision, my dream, my illusion – call it what you will. If there is any lesson in it, it is yours to draw, not mine to preach.” Similarly, Plato’s charges on needless lamentations and ecstasies at the imaginary events of sorrow and happiness encourage the weaker part of the soul and numb the faculty of reason. These charges are defended by Aristotle in his Theory of Catharsis. David Daiches summarizes Aristotle’s views in reply to Plato’s charges in brief: “Tragedy (Art) gives new knowledge, yields aesthetic satisfaction and produces a better state of mind.”3. Plato judges poetry now from the educational standpoint, now from the philosophical one and then from the ethical one. But he does not care to consider it from its own unique standpoint. He does not define its aims. He forgets that everything should be judged in terms of its own aims and objectives, its own criteria of merit and demerit. We cannot fairly maintain that music is bad because it does not paint, or that painting is bad because it does not sing. Similarly, we cannot say that poetry is bad because it does not teach philosophy or ethics. If poetry, philosophy and ethics had identical function, how could they be different subjects? To denounce poetry because it is not philosophy or ideal is clearly absurd.

 Aristotle's Objection to the Theory of Mimesis

Aristotle agrees with Plato in calling the poet an imitator and creative art, imitation. He imitates one of the three objects – things as they were/are, things as they are said/thought to be or things as they ought to be. In other words, he imitates what is past or present, what is commonly believed and what is ideal. Aristotle believes that there is natural pleasure in imitation which is an in-born instinct in men. It is this pleasure in imitation that enables the child to learn his earliest lessons in speech and conduct from those around him, because there is a pleasure in doing so. In a grown-up child – a poet, there is another instinct, helping him to make him a poet – the instinct for harmony and rhythm.He does not agree with his teacher in – ‘poet’s imitation is twice removed form reality and hence unreal/illusion of truth, to prove his point he compares poetry with history. The poet and the historian differ not by their medium, but the true difference is that the historian relates ‘what has happened’, the poet, ‘what may/ought to have happened’ - the ideal. Poetry, therefore, is more philosophical, and a higher thing than history because history expresses the particular while poetry tends to express the universal. Therefore, the picture of poetry pleases all and at all times. Aristotle does not agree with Plato in the function of poetry making people weaker and emotional/too sentimental. For him, catharsis is ennobling and it humbles a human being. So far as the moral nature of poetry is concerned, Aristotle believes that the end of poetry is to please; however, teaching may be the byproduct of it. Such pleasing is superior to the other pleasures because it teaches civic morality. So all good literature gives pleasure, which is not divorced from moral lessons.


Mimesis is a criticaland philosophical term that carries a wide range of meanings, which include imitation,representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model forbeauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been reinterpreted many times since then.

Plato’s Theory of Mimesis and Aristotle’s Defense

In his theory of Mimesis, Plato says that all art is mimetic by nature; art is an imitation of life. He believed that ‘idea’ is the ultimate reality. Art imitates idea and so it is imitation of reality. He gives an example of a carpenter and a chair. The idea of ‘chair’ first came in the mind of carpenter. He gave physical shape to his idea out of wood and created a chair. The painter imitated the chair of the carpenter in his picture of chair. Thus, painter’s chair is twice removed from reality. Hence, he believed that art is twice removed from reality. He gives first importance to philosophy as philosophy deals with the ideas whereas poetry deals with illusion – things which are twice removed from reality. So to Plato, philosophy is superior to poetry. Plato rejected poetry as it is mimetic in nature on the moral and philosophical grounds. On the contrary, Aristotle advocated poetry as it is mimetic in nature. According to him, poetry is an imitation of an action and his tool of enquiry is neither philosophical nor moral. He examines poetry as a piece of art and not as a book of preaching or teaching.